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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. The Sisters
The Sisters, Berthe Morisot, 1869

The Sisters

1869 · Painting

Pormenores

1869 · aos 28 anos
18411895
Número de inventário
1952.9.2

Entretanto, na vida de Berthe Morisot

A vida inteira
  1. 1868

    Meeting Édouard Manet

    Henri Fantin-Latour introduces Morisot to Édouard Manet, who becomes her longtime friend and colleague. She often poses for him — among the portraits are “Repose” and “Berthe Morisot with a Bouquet of Violets” — and at Christmas he gives her an easel.

  2. 1869

    Her sister Edma marries and gives up painting

    Until 1869 Berthe and Edma work side by side, but Edma marries the naval officer Adolphe Pontillon, moves to Cherbourg and has little time to paint. The sisters' letters show how much they miss each other; Edma wholeheartedly supports Berthe's continued work, and the two families remain close.

  3. c. 1869

    Destroys almost all her early work

    Morisot is never pleased with her own work and destroys nearly everything she produced before 1869, which makes it hard to trace the stages of her training and the influence of her teachers.

  4. 1870–1874

    The watercolour years

    Oil painting is still difficult for Morisot and she works mostly in watercolour: her palette is restrained, the delicate repetition of hues creates a balanced effect, and the translucent atmosphere and feathery touch give her pictures their freshness.

Mais obras de Berthe Morisot

Todas as obras

Na mesma sala · M-089, Galeria Nacional de Arte

Página do museu

Sobre o mesmo tema · Amusement

Todas as obras sobre o tema
Berthe Morisot, retratoBerthe MorisotFrança, 1841–1895

Será possível contemplá-la?

Sim, recebe visitas

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Sala89 · Edifício Oeste, piso principal

Exposta ao público. Quem o garante vem indicado abaixo.

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19 de ago. de 2026
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PinturasÓleoPintura francesaRealismoImpressionismoSéculo XIXFrenchRetrato de grupo

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — Museum open access
Young Woman Seated on a Sofa, Berthe Morisot, ca. 1879

Young Woman Seated on a Sofa

ca. 1879 · Museu Metropolitano de Arte

The Harbor at Lorient, Berthe Morisot, 1869

The Harbor at Lorient

1869 · Galeria Nacional de Arte

The Mother and Sister of the Artist, Berthe Morisot, 1869/1870

The Mother and Sister of the Artist

1869/1870 · Galeria Nacional de Arte

The Artist's Sister at a Window, Berthe Morisot, 1869

The Artist's Sister at a Window

1869 · Galeria Nacional de Arte

The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), Berthe Morisot, ca. 1870

The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)

ca. 1870 · Museu Metropolitano de Arte

In the Dining Room, Berthe Morisot, 1886

In the Dining Room

1886 · Galeria Nacional de Arte

The Artist's Daughter with a Parakeet, Berthe Morisot, 1890

The Artist's Daughter with a Parakeet

1890 · Galeria Nacional de Arte

Woman at Her Toilette, Berthe Morisot, 1875–80

Woman at Her Toilette

1875–80 · Art Institute of Chicago

Pont Neuf, Paris, Auguste Renoir, 1872

Pierre-Auguste Renoir

Pont Neuf, Paris, 1872

Plum Brandy, Edouard Manet, c. 1877

Édouard Manet

A Ameixa, c. 1877

The Railway, Edouard Manet, 1873

Édouard Manet

O caminho de ferro, 1873

Masked Ball at the Opera, Edouard Manet, 1873

Édouard Manet

Baile de Máscaras na Ópera, 1873

The Old Musician, Edouard Manet, 1862

Édouard Manet

O Velho Músico, 1862

Woman Viewed from Behind (Visit to a Museum), Edgar Degas, c. 1879-1885

Edgar Degas

Woman Viewed from Behind (Visit to a Museum), c. 1879-1885

Woman Ironing, Edgar Degas, begun c. 1876, completed c. 1887

Edgar Degas

Woman Ironing, begun c. 1876, completed c. 1887

The Louvre, Afternoon, Rainy Weather, Camille Pissarro, 1900

Camille Jacob Pissarro

The Louvre, Afternoon, Rainy Weather, 1900

Woman at the Seashore (Femme au bord de la mer), Pablo Picasso, 1923 or 1924

Pablo Picasso

Woman at the Seashore (Femme au bord de la mer), 1923 or 1924

Não exposta · Galeria Nacional de Arte

Variation on Delacroix's "Women of Algiers": IX, Pablo Picasso, 1955

Pablo Picasso

Variation on Delacroix's "Women of Algiers": IX, 1955

Não exposta · Galeria Nacional de Arte

Variation on Delacroix's "Women of Algiers": IV, Pablo Picasso, 1955

Pablo Picasso

Variation on Delacroix's "Women of Algiers": IV, 1955

Não exposta · Galeria Nacional de Arte

Woman Sitting in a Garden [verso], Pablo Picasso, 1901

Pablo Picasso

Woman Sitting in a Garden [verso], 1901

Não exposta · Galeria Nacional de Arte

Variation on Delacroix's "Women of Algiers": I, Pablo Picasso, 1955

Pablo Picasso

Variation on Delacroix's "Women of Algiers": I, 1955

Não exposta · Galeria Nacional de Arte

The Acrobats (Les saltimbanques), Pablo Picasso, 1905, published 1913

Pablo Picasso

The Acrobats (Les saltimbanques), 1905, published 1913

Não exposta · Galeria Nacional de Arte

Nude Seated before a Curtain (Femme nue assise devant un rideau), Pablo Picasso, 1931

Pablo Picasso

Nude Seated before a Curtain (Femme nue assise devant un rideau), 1931

Não exposta · Galeria Nacional de Arte

Pique I, Pablo Picasso, 1959

Pablo Picasso

Pique I, 1959

Não exposta · Galeria Nacional de Arte