Anthony van DyckFlandres, 1599–1641The Penitent Magdalen
Será possível contemplá-la?
Desconhecido
Amesterdão, Países Baixos
O proprietário é conhecido; não se sabe se hoje está exposta.
- Fonte
- O museu
Sobre a pintura
Nas palavras do museu — em holandês
De boetvaardige Maria Magdalena, handenwringend en met de ogen ten hemel geslagen. Rechts van de heilige een engel met de zalfpot.
Museu Estatal de Amesterdão
Pormenores
- Número de inventário
- SK-A-103
O que mostra
No catálogo
Fontes
- Museu Estatal de Amesterdão
- Imagem: Museu Estatal de Amesterdão — public domain
Entretanto, na vida de Anthony van Dyck
A vida inteira1620
First Trip to London to the Court of James I
In October 1620, at the age of twenty-one, Van Dyck moved to London to the court of King James I at the urging of the Duke of Buckingham and the Earl of Arundel; he received an annual pension of one hundred pounds sterling from the king.
20 November 1621
Departure for Italy, Arrival in Genoa
In 1621 Van Dyck decided to go to Italy; Rubens supplied him with funds and letters of introduction. On 20 November 1621 he arrived in Genoa and remained in Italy for six years, where his fame as a portraitist was consolidated.
winter 1622
Winter in Venice, Studying Titian
Van Dyck spent the winter of 1622 in Venice, where, accompanied by Titian's nephew Cesare Vecellio, he fulfilled a long-held dream of seeing the works of Titian and Paolo Veronese; on the way he stopped in Bologna and Parma, where he admired Correggio's frescoes.
1622
Journey to Rome
In February 1622 Van Dyck left for Rome, where he stayed until August of that year and for most of 1623; he was introduced into the best circles of society and copied Renaissance masterpieces at the Palazzo Ludovisi and the Villa Borghese.
