ART WIKI32 963 em exposição
MapaColeçãoArtistasMuseusExposiçõesRevista
Entrar

ART WIKI

Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

Secções

  • Mapa
  • Pesquisa
  • Coleção
  • Obras-primas
  • Em exposição agora
  • Artistas

Mais

  • Museus e galerias
  • Exposições
  • Revista
  • De onde vêm os dados
  • Privacidade e cookies
InícioMapaCatálogo
  1. Coleção/
  2. Museu Vitória e Alberto/
  3. The Menai Strait
The Menai Strait, James Baker Pyne, 1846

The Menai Strait

1846 · Oil painting · 61 × 91.4 cm

Sobre a pintura

Having trained as an attorney, James Baker Pyne (1800-1870) taught himself painting and began working as a professional artist in his native Bristol. He exhibited seven works at the RA between 1836 and 1855, 28 at the BI 1828-63, and 194 at the Society of British Artists between 1833 and 1870. He painted mainly landscapes.

Continuar a ler

Between 1839 and 1869 Pyne recorded his paintings in a series of account books, now kept at the National Art Library. This painting is probably number 179; "The Menai Straits". The location of the painting has been identified as a romanticised view of Port Dinorwig (Y Felin Heli), which is situated in the county of Gwynedd opposite the Moel y don in North Wales. This peaceful landscape is a very romanticised version of how the landscape would have looked in 1846 when this painting is dated. In this composition Pyne has left out a stone quarry that was built along the foreshore in 1839-41 and a tramway that ran between the quarry and the quay. This shows the artist making a conscious decision to include elements to create a composition that would appeal to a mid-nineteenth century audience.

Museu Vitória e Alberto

Pormenores

1846 · aos 46 anos

Mais obras de James Baker Pyne

Todas as obras

Vizinhas de sala: Museu Vitória e Alberto

Página do museu

Sobre o mesmo tema · Wales

Todas as obras sobre o tema
18001870
Número de inventário
E.413-2007

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
James Baker Pyne, retratoJames Baker PyneReino Unido, 1800–1870

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu
The Mulgrave Alum Works at Sandsend, Yorkshire Coast, James Baker Pyne, 1844

The Mulgrave Alum Works at Sandsend, Yorkshire Coast

1844 · National Gallery

Landscape, James Baker Pyne

Landscape

Não exposta · Museu de Arte de Cleveland

View of Windsor Castle, James Baker Pyne, mid 19th century

View of Windsor Castle

mid 19th century · Não exposta · Museu Vitória e Alberto

Drawing, James Baker Pyne, ca. mid 19th century

Drawing

ca. mid 19th century · Não exposta · Museu Vitória e Alberto

Drawing, James Baker Pyne, ca. mid 19th century

Drawing

ca. mid 19th century · Não exposta · Museu Vitória e Alberto

Windsor, James Baker Pyne, 19th century

Windsor

19th century · Não exposta · Harvard Art Museums

Distant view of Arundel Castle, James Baker Pyne, ca. 1820-70

Distant view of Arundel Castle

ca. 1820-70 · Não exposta · Museu Vitória e Alberto

Landscape With Figures, James Baker Pyne, 1836

Landscape With Figures

1836 · Não exposta · Museu Vitória e Alberto

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Dic Jones, ex Bardic Chair-holder, farmer on school steps where Eisteddfod Englynion contest was held. _In the Night_: "No hymn of birds, no Tremor -- save the sounds of the sea's sad tenor, / The stars ascend in splendor / and the dark creeps round the door." Aberystwyth, Wales April 8, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Dic Jones, ex Bardic Chair-holder, farmer on school steps where Eisteddfod Englynion contest was held. _In the Night_: "No hymn of birds, no Tremor -- save the sounds of the sea's sad tenor, / The stars ascend in splendor / and the dark creeps round the door." Aberystwyth, Wales April 8, 1995., 1995

Não exposta · Galeria Nacional de Arte

Poet Dafydd Rowlands above Laugharne Bay & Dylan Thomas' boat-house, we'd drive back from Aberystwyth Eisteddfod englynion competition, met Bardic Chair-holders Dic Jones, & we returned to Swansea Poetry festival where I'd stayed nearly a week, April 8, 1995, Allen Ginsberg, 1995

Allen Ginsberg

Poet Dafydd Rowlands above Laugharne Bay & Dylan Thomas' boat-house, we'd drive back from Aberystwyth Eisteddfod englynion competition, met Bardic Chair-holders Dic Jones, & we returned to Swansea Poetry festival where I'd stayed nearly a week, April 8, 1995, 1995

Não exposta · Galeria Nacional de Arte

Welsh Poet Dafydd Rowlands & myself above Laugharne Bay & Dylan Thomas' Boat-house, he'd driven us back from Aberystwyth Eisteddfod englynion competition where we'd met ex-Bardic Chair-holder former Dic Jones, thence we returned to Swansea Poetry Festival where I'd stayed six days, April 5, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Welsh Poet Dafydd Rowlands & myself above Laugharne Bay & Dylan Thomas' Boat-house, he'd driven us back from Aberystwyth Eisteddfod englynion competition where we'd met ex-Bardic Chair-holder former Dic Jones, thence we returned to Swansea Poetry Festival where I'd stayed six days, April 5, 1995., 1995

Não exposta · Galeria Nacional de Arte

View on the River Wye, Looking towards Chepstow, John Martin, 1844

John Martin

View on the River Wye, Looking towards Chepstow, 1844

Não exposta · Galeria Nacional de Arte

Caerau, Wales, Robert Frank, 1953

Robert Frank

Caerau, Wales, 1953

Não exposta · Galeria Nacional de Arte

Ben James, Coal Miner, Robert Frank, 1953

Robert Frank

Ben James, Coal Miner, 1953

Não exposta · Galeria Nacional de Arte

Wales, Ben James, Robert Frank, 1953

Robert Frank

Wales, Ben James, 1953

Não exposta · Galeria Nacional de Arte

Wales, Ben James, Robert Frank, 1953

Robert Frank

Wales, Ben James, 1953

Não exposta · Galeria Nacional de Arte

O que mostra

Wales

No catálogo

PinturasÓleoPintura britânicaRomantismoRealismoSéculo XIXBritish SchoolVictorianPaís de Gales