The Mason Crouching

Planche IV – Pifferaro Debout et Paysanne Italienne Assise, dans la Cour du 21 Quai Bourbon (Plate IV – Pifferaro Standing and Italian Peasant Seated, in the Court of 21 Quai Bourbon)

1854, printed 1982 · Não exposta · Galeria Nacional de Arte

Planche XIII – Cathédrale de Chartres, Statues Colonnes de la Porte Centrale du Portail Royal (Plate XIII – Chartres Cathedral, Statue Columns in the Central Door of the Royal Entrance)

1855, printed 1982 · Não exposta · Galeria Nacional de Arte

Planche V – Place du Châtelet (Plate V – Place du Châtelet)

1852, printed 1982 · Não exposta · Galeria Nacional de Arte

Planche XII – Cathédrale de Chartres, Portique du Midi (Plate XII – Chartres Cathedral, South Entrance)

1855, printed 1982 · Não exposta · Galeria Nacional de Arte

Planche II – Deux Arlesiennes Dans le Cloître de Saint-Trophime d'Arles (Plate II – Two Arlesiennes in the Cloister of Saint-Trophime of Arles)

1852, printed 1982 · Não exposta · Galeria Nacional de Arte

Planche VI – Portail de Saint-Trophime d'Arles (Plate VI – Entrance of Saint Trophime of Arles)

1853/1854, printed 1982 · Não exposta · Galeria Nacional de Arte

Planche I – Le Maçon Accroupi (Plate I – The Crouching Mason)

1853, printed 1982 · Não exposta · Galeria Nacional de Arte

Planche VII – Le Louvre, Pavillon de l'Horloge (Plate VII – The Louvre, Pavilion of the Clock)

1855, printed 1982 · Não exposta · Galeria Nacional de Arte

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

Vincent van Gogh

A Noite Estrelada, 1889

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950