Paul GauguinFrança, 1848–1903The Large Tree
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Museu de Arte de Cleveland
Cleveland, Estados Unidos
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About the painting
Disgusted with the materialism of European society, Gauguin abandoned his family and career as a stockbroker and departed for Tahiti in 1891. This canvas is among the first paintings he completed on the island. Its rich colors and stylized figures were intended to be both symbolic and mysterious, evoking private thoughts and emotions. “I obtain symphonies,” he wrote, “harmonies that represent nothing real in the absolute sense of the word.”
Museu de Arte de Cleveland
Pormenores
- Número de inventário
- 1975.263
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Fontes
- Museu de Arte de Cleveland: the museum's own open data · obtido há 7 dias
- Imagem: Museu de Arte de Cleveland — CC0 (Cleveland Museum of Art Open Access)
Entretanto, na vida de Paul Gauguin
A vida inteira1870s–1891 · Local de trabalho
Paris
1886–1891 · Local de trabalho
Pont-Aven
February 1891
Successful Auction at the Hôtel Drouot
A successful auction of paintings at the Hôtel Drouot in Paris in February 1891, aided by a glowing review from Octave Mirbeau, together with a banquet and a benefit concert, provided the funds for the journey to Tahiti.
1 April 1891
Departure for Tahiti
On 1 April 1891, after a final visit to his wife and children in Copenhagen, Gauguin sailed for Tahiti, intending to escape European civilization and "everything that is artificial and conventional." He spent his first three months in Papeete, then set up a studio in a bamboo hut at Mataiea.
1891–1901 · Local de trabalho
Tahiti
August 1893
Return to France
In August 1893 Gauguin returned to France, where he continued painting Tahitian subjects such as Mahana no atua and Nave nave moe; he rented an apartment on rue Vercingétorix on the edge of Montparnasse and held a weekly salon, cultivating an exotic image.
![Pair of Wooden Shoes (Sabots) [left], Paul Gauguin, 1889/1890](https://api.nga.gov/iiif/44a731a9-e900-4898-a282-01034fcaa6ca/full/!2400,2400/0/default.jpg)
