ART WIKI32 963 em exposição
MapaColeçãoArtistasMuseusExposiçõesRevista
Entrar

ART WIKI

Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

Secções

  • Mapa
  • Pesquisa
  • Coleção
  • Obras-primas
  • Em exposição agora
  • Artistas

Mais

  • Museus e galerias
  • Exposições
  • Revista
  • De onde vêm os dados
  • Privacidade e cookies
InícioMapaCatálogo
  1. Coleção/
  2. Museu Vitória e Alberto/
  3. The Knight's Funeral
The Knight's Funeral, Hendrik Leys, ca. 1830-ca. 1840
HHendrik Leys

The Knight's Funeral

ca. 1830-ca. 1840 · Oil painting · 56.8 × 45.7 cm

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Sobre a pintura

Baron Hendrik Leys (1815-1869) was a Belgian painter who trained with Mathieu Ignace Van Brée in Antwerp and drew on the Romantic works of Gustaf Wappers. He painted typically Romantic subjects, ranging from heroic scenes of war and brigandage to scenes of daily life such as weddings and country festivals. From 1839 he distanced himself from the Romantic school and moved towards a more sober style. His desire for historical and psychological truthfulness soon replaced the pathos and sentimentality of his earlier works. Seeking to 'resurrect' the spirit and atmosphere of 16th-century Antwerp, Leys painted historical events or scenes of everyday life, all of which demonstrate a scrupulous observation of contemporary life. Moving away from Romanticism Leys was likely influenced by the French Realists Gustave Courbet and Jean-François Millet.

Continuar a ler

On the other hand, his study of 16th-century Flemish and German painters also contributed to the development of his personal style, which mingled archaistic rigidity with realistic observation. Though difficult to ascertain due to condition, the subject and mood of 1560-1869 appears to belong to Leys earlier Romantic phase of the 1830s.

Museu Vitória e Alberto

Pormenores

Número de inventário
1560-1869

O que mostra

KnightFuneral

No catálogo

PinturasÓleoRomantismoSéculo XIXBelgian School

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London

Vizinhas de sala: Museu Vitória e Alberto

Página do museu
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024