The Kiss (Le Baiser), Auguste Rodin, model 1880-1887, cast c. 1898/1902
Auguste Rodin, retratoAuguste RodinFrança, 1840–1917

The Kiss (Le Baiser)

model 1880-1887, cast c. 1898/1902 · Sculpture

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Onde está «The Kiss (Le Baiser)» hoje? Galeria Nacional de Arte, Sala 2 · Edifício Oeste, térreo, Washington, D.C. Sim, exposta agora. Verificado 29 de setembro de 2026.

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Sala2 · Edifício Oeste, térreo

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Número de inventário
1942.5.15

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Fontes

Na vida de Auguste Rodin

A vida inteira
  1. 1880

    Receives the commission for “The Gates of Hell”

    His first state commission was a sculptural portal for a planned Museum of Decorative Arts; with it Rodin received two studios on the Rue de l'Université. The museum was never built and “The Gates of Hell” remained unfinished: they were first cast in bronze after the master's death.

  2. 1883

    Meets Camille Claudel

    Standing in for Alfred Boucher, who was away, Rodin supervised his students' course and met the eighteen-year-old Camille Claudel. She became his assistant, model, lover and creative rival.

  3. 1885

    Camille Claudel: assistant and lover

    From 1885 Claudel worked as an assistant in Rodin's studio and posed for him, and soon they became lovers. The affair lasted nine years, and Rodin did not break with Rose Beuret, who knew her role as “the other woman”.

  4. 1889

    Rodin and Monet at the Georges Petit gallery

    “The Burghers of Calais” was the main event of a joint exhibition of Rodin and Claude Monet: thirty-six sculptures by Rodin and seventy paintings by Monet.

  5. 1898

    The scandal over “Balzac”

    The monument's showing in 1898 caused a storm: the Société des Gens de Lettres rejected it, the press ran parodies, and Monet, Debussy and the future premier Clemenceau signed a manifesto in Rodin's defence. Rodin repaid the commission and moved the statue to his garden; he never completed another public commission.

  6. 1900

    Rodin's pavilion at the World's Fair

    The French government gave him an entire pavilion: a retrospective of 136 sculptures and 14 unfinished works showed “The Gates of Hell” for the first time. The exhibition brought sales of sculptures to museums around the world worth about 200,000 francs.

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