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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Art Institute of Chicago/
  3. The Happy Hypocrite - Linguistic Hardcore, Issue 1
The Happy Hypocrite - Linguistic Hardcore, Issue 1, APFEL, 2008
AAPFEL

The Happy Hypocrite - Linguistic Hardcore, Issue 1

2008 · Graphic Design

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Art Institute of Chicago

Chicago, Estados Unidos

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19 de ago. de 2026
Fonte
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Sobre a obra

Cohesive layouts and modular frameworks provide the underpinning of an identity in a publication series. Each of these three series illustrates different frameworks employed by the British graphic design firm A Practice for Everyday Life (APFEL). Identical elements such as the use of typeface, color, and layout combined with unique components such as photography or color to distinguish one edition from another are featured in each series. In the Exhibition Histories series, the approach by APFEL is straightforward, with a consistent layout and typeface; each edition is distinguished by a unique color for the text and spine. The Happy Hypocrite, also designed by APFEL, unifies the varied full-bleed graphics that wrap each cover with the same placement and typeface for the title of each book.

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However, the fifth edition diverges from this format—the title of the book is enlarged and wraps around to the back cover as part of the background image, yet still retains essential components of the framework to identify with the series. These designers use multiple approaches to insert distinguishing characteristics in order to develop unique editions within a unified series.

Art Institute of Chicago · CC BY 4.0

Pormenores

Número de inventário
2012.1139.1

No catálogo

GravurasArte contemporâneaSéculo XXIInglaterra

Fontes

  • Art Institute of Chicago
  • Imagem: Art Institute of Chicago — © the artist or rights holder

Mais obras de APFEL

Todas as obras
Turner Prize Marketing Materials (4 invites - 1 of each kind, 4 posters - 1 of each kind and 1 publication for 2008 and 2009 for a total of 18 objects), APFEL, 2008/09

Turner Prize Marketing Materials (4 invites - 1 of each kind, 4 posters - 1 of each kind and 1 publication for 2008 and 2009 for a total of 18 objects)

2008/09 · Não exposta · Art Institute of Chicago

Performa 09 Graphic Identity System (stationery, folder, collateral), APFEL, 2009

Performa 09 Graphic Identity System (stationery, folder, collateral)

2009 · Não exposta · Art Institute of Chicago

The Life and Opinions of Tristram Shandy, Gentleman Poster, APFEL, 2010

The Life and Opinions of Tristram Shandy, Gentleman Poster

2010 · Não exposta · Art Institute of Chicago

VE1: The Life and Opinions of Tristram Shandy, Gentleman, APFEL, 2010

VE1: The Life and Opinions of Tristram Shandy, Gentleman

2010 · Não exposta · Art Institute of Chicago

Exhibiting the New Art: 'Op Losse Schroeven' and 'When Attitudes Become Form' 1969, from the Exhibition Histories Series, APFEL, 2010

Exhibiting the New Art: 'Op Losse Schroeven' and 'When Attitudes Become Form' 1969, from the Exhibition Histories Series

2010 · Não exposta · Art Institute of Chicago

The Happy Hypocrite – What am I?, Issue 5, APFEL, 2010

The Happy Hypocrite – What am I?, Issue 5

2010 · Não exposta · Art Institute of Chicago

Performa 11 Graphic Identity System (stationery, folder, collateral), APFEL, 2011

Performa 11 Graphic Identity System (stationery, folder, collateral)

2011 · Não exposta · Art Institute of Chicago

The Hepworth Wakefield Graphic Identity System (12 objects total), APFEL, 2011/12

The Hepworth Wakefield Graphic Identity System (12 objects total)

2011/12 · Não exposta · Art Institute of Chicago

Vizinhas de sala: Art Institute of Chicago

Página do museu
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942