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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu Vitória e Alberto/
  3. The great rocks
The great rocks, John Martin, ca. early 19th century
John Martin, retratoJohn MartinInglaterra, 1789–1854

The great rocks

ca. early 19th century · Watercolour · 22 × 36 cm

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 13 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

ca. early 19th century
17891854
Número de inventário
P.73-1968

O que mostra

Rocks

No catálogo

Desenhos e aguarelasAguarelaNeoclassicismoRomantismoSéculo XIXReino Unido

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London

Entretanto, na vida de John Martin

A vida inteira
  1. 1811

    First picture at the Royal Academy exhibition

    Sent in once again, the same painting is hung in the Great Room under the title “A Landscape Composition” as item no. 46; thereafter Martin produces a succession of large exhibited oil paintings — landscapes and, more usually, grand biblical themes inspired by the Old Testament.

  2. 1812

    Sells “Sadak” for fifty guineas

    Back home with the painting, Martin finds the visiting card of William Manning MP, who wants to buy it; “Sadak” is sold for fifty guineas, and patronage propels the artist’s career.

  3. 1820

    Five thousand paying viewers for “Belshazzar’s Feast”

    Martin’s triumph: the picture excites much favourable and hostile comment, five thousand people pay to see it, and the British Institution awards it a prize of £200 — the “Joshua” had earlier carried off a premium of £100 there.

  4. 1823

    Commissioned to engrave “Paradise Lost”

    Having begun to experiment with mezzotint, Martin is commissioned by Samuel Prowett to illustrate Milton’s “Paradise Lost” for 2,000 guineas; before the first 24 engravings are finished he is paid a further 1,500 guineas for a second set of 24 on smaller plates. For significant periods of his life he earned more from his engravings than from his paintings.

  5. 1825–1827

    The “Paradise Lost” engravings are published

    Prowett issues four separate editions of the engravings in monthly instalments — the first appears on 20 March 1825 and the last in 1827; notable prints include “Pandæmonium” and “Satan Presiding at the Infernal Council”, remarkable for the science-fiction element in their architecture, and “Bridge over Chaos”, arguably Martin’s most dramatic composition.

  6. February 1829

    His brother Jonathan sets fire to York Minster

    His elder brother, the nonconformist Jonathan Martin, deliberately sets fire to York Minster, causing extensive damage; an onlooker likens the scene to John’s paintings, and his profile rises further. John pays for his brother’s defence at the trial out of his own money: “Mad Martin” is found guilty but is spared the hangman’s noose on the grounds of insanity.

Mais obras de John Martin

Todas as obras
Joshua Commanding the Sun to Stand Still upon Gibeon, John Martin, 1816

Joshua Commanding the Sun to Stand Still upon Gibeon

1816 · Galeria Nacional de Arte

Le Pandemonium, 1841, Martin, John, XIXe siècle (1841)

Le Pandemonium, 1841

XIXe siècle (1841) · Museu do Louvre

Mountain Landscape with Rocks, John Martin, ca. 1851

Mountain Landscape with Rocks

ca. 1851 · Museu Vitória e Alberto

The Destruction of Pompeii and Herculaneum, John Martin, 1822

The Destruction of Pompeii and Herculaneum

1822 · National Gallery

Belshazzar's Feast, John Martin, 1826

Belshazzar's Feast

1826 · Não exposta · Galeria Nacional de Arte

Joshua Commanding the Sun to Stand Still, John Martin, 1827

Joshua Commanding the Sun to Stand Still

1827 · Não exposta · Galeria Nacional de Arte

The Fall of Nineveh, John Martin, 1829–1830

The Fall of Nineveh

1829–1830 · Albertina

Wenende vrouwen bij een oever van de rivier bij Babylon, John Martin, 1831 - 1839

Wenende vrouwen bij een oever van de rivier bij Babylon

1831 - 1839 · Museu Estatal de Amesterdão

Vizinhas de sala: Museu Vitória e Alberto

Página do museu
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Sobre o mesmo tema · Rocks

Todas as obras sobre o tema
At the Black Rocks (Aux roches noires), Paul Gauguin, in or after 1895

Paul Gauguin

At the Black Rocks (Aux roches noires), in or after 1895

Não exposta · Galeria Nacional de Arte

Kajikasawa in de provincie Kai, Katsushika Hokusai, 1829 - 1833

Katsushika Hokusai

Kajikasawa in de provincie Kai, 1829 - 1833

Museu Estatal de Amesterdão

Landschap met bomen en rotsen, Wilhelmina of the Netherlands, 1933

Wilhelmina of the Netherlands

Landschap met bomen en rotsen, 1933

Museu Estatal de Amesterdão

Stad met hoge rotsen gelegen aan een rivier, Pieter Bruegel, 1560

Pieter Brueghel the Elder

Stad met hoge rotsen gelegen aan een rivier, 1560

Museu Estatal de Amesterdão

The Black Rocks at Trouville, Gustave Courbet, 1865/1866

Gustave Courbet

The Black Rocks at Trouville, 1865/1866

Galeria Nacional de Arte

Landscape with Rocky Cliffs and a Waterfall, Gustave Courbet, 1872

Gustave Courbet

Landscape with Rocky Cliffs and a Waterfall, 1872

Museu Estatal de Amesterdão

Hintersee, Germany, John Singer Sargent, 1871

John Singer Sargent

Hintersee, Germany, 1871

Não exposta · Galeria Nacional de Arte

Plate Number 170. Jumping from stone to stone across a brook, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 170. Jumping from stone to stone across a brook, 1887

Não exposta · Galeria Nacional de Arte