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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  2. Harvard Art Museums/
  3. The First Steps
The First Steps, Jean-Honoré Fragonard, c. 1780-1785
Jean-Honoré Fragonard, retratoJean-Honoré FragonardFrança, 1732–1806

The First Steps

c. 1780-1785 · Painting

Sobre a pintura

The First Steps and The Beloved Child date from a period of close collaboration between Fragonard and Marguerite Gérard, his pupil and sister-in-law. The tightness of the foliage and the figures, as well as the compositional structure, suggests Fragonard’s academic training, which is further evident in his drawing for The First Steps, also in the Harvard Art Museums’ collections. However, the sumptuous rendering of the fabrics and the refined brushwork of the mothers’ faces reveal the hand of his pupil, who emerged as a master in her own right by 1790. Both paintings celebrate the joys of maternity, a theme explored in the writings of Jean-Jacques Rousseau. During the French Revolution, motherhood was linked to the ideals of social regeneration, and in 1792 a reproductive print of The First Steps was dedicated to “good Mothers.”

Harvard Art Museums

Pormenores

c. 1780-1785
17321806
Número de inventário
1961.166

Entretanto, na vida de Jean-Honoré Fragonard

A vida inteira
  1. 1778

    Marguerite Gérard — pupil and assistant

    Fourteen-year-old Marguerite Gérard, his wife's sister, became his pupil and assistant.

  2. 1780

    Birth of his son Alexandre-Évariste

    His son Alexandre-Évariste was born, who later became a talented painter, sculptor and lithographer.

  3. 26 de outubro de 1780

    Son born: Alexandre-Évariste Fragonard

Mais obras de Jean-Honoré Fragonard

Todas as obras

Na mesma sala · Gallery 2220, floor 2, European and American Art, 17th–19th century, Harvard Art Museums

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Harvard Art Museums

Cambridge, Estados Unidos

Sala2220, floor 2, European and American Art, 17th–19th century

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Fontes

  • Harvard Art Museums
  • Imagem: Harvard Art Museums — © President and Fellows of Harvard College
Marie Emilie Coignet de Courson (1716–1806) with a Dog, Jean Honoré Fragonard, ca. 1769

Marie Emilie Coignet de Courson (1716–1806) with a Dog

ca. 1769 · Museu Metropolitano de Arte

The Captured Kiss, Jean-Honoré Fragonard, 1750s

The Captured Kiss

1750s · Hermitage

L'Étude, dit aussi parfois Le Chant., Fragonard, Jean-Honoré, 3e quart du XVIIIe siècle (1750 - 1775)

L'Étude, dit aussi parfois Le Chant.

3e quart du XVIIIe siècle (1750 - 1775) · Museu do Louvre

Cascatelles de Tivoli., Fragonard, Jean-Honoré, 3e quart du XVIIIe siècle (1750 - 1775)

Cascatelles de Tivoli.

3e quart du XVIIIe siècle (1750 - 1775) · Museu do Louvre

Diana and Endymion, Jean Honoré Fragonard, c. 1753/1756

Diana and Endymion

c. 1753/1756 · Galeria Nacional de Arte

L'orage, dit aussi La Charrette embourbée., Fragonard, Jean-Honoré, 3e quart du XVIIIe siècle (vers 1759)

L'orage, dit aussi La Charrette embourbée.

3e quart du XVIIIe siècle (vers 1759) · Museu do Louvre

Farmer's Children, Jean-Honoré Fragonard, 1760s

Farmer's Children

1760s · Hermitage

The Grand Staircase of the Villa d'Este at Tivoli, Jean-Honoré Fragonard, 1760

The Grand Staircase of the Villa d'Este at Tivoli

1760 · Instituto de Artes de Minneapolis

...I Plunged into Solitude. I Dwelt in the Tree behind me., Odilon Redon, 1896

Odilon Redon

...I Plunged into Solitude. I Dwelt in the Tree behind me., 1896

Gallery of the Louvre, Samuel Finley Breese Morse, 1831-1833

Samuel F. B. Morse

Gallery of the Louvre, 1831-1833

Crown Princess Louise of Prussia and her Sister Frederica of Mecklenburg-Strelitz, After Johann Gottfried Schadow, c. 1825-1850

after Johann Gottfried Schadow

Crown Princess Louise of Prussia and her Sister Frederica of Mecklenburg-Strelitz, c. 1825-1850

Dr. Thomas Dagoumer (1762-1833/1835), Pierre-Paul Prud'hon, 1819

Pierre Prud'hon

Dr. Thomas Dagoumer (1762-1833/1835), 1819

Napoléon-François-Charles-Joseph Bonaparte, Thomas Lawrence, 1818-1819

Thomas Lawrence

Napoléon-François-Charles-Joseph Bonaparte, 1818-1819

The Treehouse in Kerischa, Gottfried Engelmann, c. 1817

Gottfried Engelmann

The Treehouse in Kerischa, c. 1817

Harriet Leavens (1802-1830), Ammi Phillips, c. 1815

Ammi Phillips

Harriet Leavens (1802-1830), c. 1815

Calliope Mourning Homer, Circle of Jacques-Louis David, 1812

Circle of Jacques-Louis David

Calliope Mourning Homer, 1812