The Family, Joan Miró, 1924
Joan Miró, retratoJoan MiróEspanha, 1893–1983

The Family

1924 · Drawing

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Onde está «The Family» hoje? Coleção: Museu de Arte Moderna, Nova Iorque. Não exposta de momento. Verificado 22 de setembro de 2026.

Museu de Arte Moderna

Nova Iorque, Estados Unidos

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Número de inventário
395.1961

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Fontes

Na vida de Joan Miró

A vida inteira
  1. 1924

    Joins the Surrealist circle

    Miró joined the Surrealist circle, whose dream-like automatism suited his symbolic and poetic art, but chose not to become an official member so as to experiment freely; Breton called him “the most Surrealist of us all”.

  2. 1925

    Friendship with Robert Desnos

    Miró became friends with the poet Robert Desnos; they soon planned a livre d'artiste together, but the Spanish Civil War and World War II put the plans on hold. Desnos died in 1945, shortly after his release from the concentration camps.

  3. second half of the 1920s

    A language of signs and ideograms

    In “Person Throwing a Stone at a Bird” and “Dog Barking at the Moon” (both 1926) a set of recurrent ideograms took shape: symbols of space — horizon, waves, heavenly bodies — and “mediating symbols” — birds, a ladder to the sky, an eye, an ear, a figure with giant feet.

  4. 1926

    Designs for Diaghilev with Max Ernst

    Miró collaborated with Max Ernst on designs for the ballet impresario Sergei Diaghilev.

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No mesmo museu: Museu de Arte Moderna

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