The Fall of Man, M.C. Escher, 1927
Maurits Cornelis Escher, retratoMaurits Cornelis EscherPaíses Baixos, 1898–1972

The Fall of Man

1927 · Print

Posso vê-la?

Não exposta de momento

Onde está «The Fall of Man» hoje? Coleção: Galeria Nacional de Arte, Washington, D.C. Não exposta de momento. Verificado 29 de setembro de 2026.

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
Neste estado desde
Fonte
O museu

Pormenores

Número de inventário
1973.65.12

O que mostra

No catálogo

Fontes

Na vida de Maurits Cornelis Escher

A vida inteira
  1. November 1923 – 1935

    Rome and yearly journeys through Italy

    From November 1923 Escher lived in Rome and until 1935 travelled each year for at least two months through Italy — Sicily, Abruzzo, Campania, and also Corsica, Malta and Tunisia; these journeys produced many landscapes whose perspective already hints at his later geometric experiments. He could not support his family on the sale of his work and lived on his father’s help.

  2. 1924–1935 · Local de trabalho

    Rome

  3. 1925

    A house in Frascati

    Back in Italy, the Eschers bought an unfinished house in Frascati near Rome and moved into it in October 1925.

  4. 16 October 1925

    The death of his brother Arnold; “The Days of Creation”

    On 16 October 1925 Escher’s brother Arnold was killed in the mountains of South Tyrol, and the artist had to travel there to identify the body. It was after this that Escher made “The Days of Creation”.

  5. 1926

    The birth of his son George

    In July 1926 Escher and Jetta had a son, George, in Rome; King Victor Emmanuel III and Benito Mussolini attended the child’s christening. A second son, Arthur, was born in 1928.

  6. 1929

    Five exhibitions in Holland and Switzerland

    By the late 1920s Escher had become known in the Netherlands — not least through the efforts of his parents, who had moved to The Hague; in 1929 he held five exhibitions in Holland and Switzerland that were well received even in the most influential Dutch newspapers. It was then that his pictures were first called mechanical and “logical”.

Todas as obras

No mesmo museu: Galeria Nacional de Arte

Página do museu

Sobre o mesmo tema · Árvore

Todas as obras sobre o tema