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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  2. Museu Whitney de Arte Americana/
  3. The Electric EAT
The Electric EAT, Robert Indiana, 1964/2007
Robert Indiana, retratoRobert IndianaEstados Unidos, 1928–2018

The Electric EAT

1964/2007 · Sculpture

Será possível contemplá-la?

De momento, não recebe

Museu Whitney de Arte Americana

Nova Iorque, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
anteontem
Fonte
Os dados da própria coleção do museu
No mapaPágina do museu

Pormenores

1964/2007
19282018
Número de inventário
2015.33

No catálogo

EsculturaMetalArte do pós-guerraSéculo XX

Fontes

  • Museu Whitney de Arte Americana: os dados abertos do museu · obtido há 12 dias
  • Imagem: Museu Whitney de Arte Americana — © the artist or rights holder

Entretanto, na vida de Robert Indiana

A vida inteira
  1. early 1960s

    MoMA buys “The American Dream, I”

    Alfred H. Barr Jr. acquires the painting The American Dream, I for the Museum of Modern Art; after this the artist’s career takes off.

  2. 1962

    First solo exhibition in New York

    Eleanor Ward’s Stable Gallery hosts his first solo exhibition in New York.

  3. 1964

    Break-up with Kelly and the birth of LOVE

    After parting from Ellsworth Kelly, Indiana reworks an earlier, cruder version of the piece (according to the art historian Susan Elizabeth Ryan, in 1964 it was a far more explicit four-letter word beginning with F, its second letter, a U, tilted to the right) into the famous stacked LOVE with its tilted O, and sends the first cards to friends and acquaintances in the art world. Its red, blue and green are thought to nod to Kelly’s colours, and the relationship was not made public until 2013.

  4. summer 1969

    Rents the upper floor of “The Star of Hope” on Vinalhaven

    Visiting the Life photographer Elliot Elisofon on the island of Vinalhaven, he begins renting the upper floor of the hundred-year-old Victorian Odd Fellows Hall, “The Star of Hope.” He was drawn to the order’s insignia of three interlocking links: truth, friendship and, the important one in the middle, love.

  5. 1978

    Moves to Vinalhaven for good

    Losing his lease on the Bowery, he moves into “The Star of Hope” full-time: from this year he lives and works on the island in Maine.

  6. 1998

    Retrospective 1958–1998 in Nice

    The Musée d’Art Moderne et d’Art Contemporain in Nice shows a retrospective of his work from 1958 to 1998.

Mais obras de Robert Indiana

Todas as obras
AMOR, Robert Indiana, conceived 1998, fabricated 2006

AMOR

conceived 1998, fabricated 2006 · Galeria Nacional de Arte

French Atomic Bomb, Robert Indiana, 1959-60

French Atomic Bomb

1959-60 · Não exposta · Museu de Arte Moderna

Moon, Robert Indiana, 1960

Moon

1960 · Não exposta · Museu de Arte Moderna

Law, Robert Indiana, 1960-62

Law

1960-62 · Não exposta · Museu de Arte Moderna

The American Dream, I, Robert Indiana, 1961

The American Dream, I

1961 · Não exposta · Museu de Arte Moderna

The American Hay Company, Robert Indiana, 1962

The American Hay Company

1962 · Não exposta · Museu de Arte Moderna

8, Robert Indiana, 1962

8

1962 · Não exposta · Instituto de Artes de Minneapolis

Err (plate 9) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America), Robert Indiana, 1963, published 1964

Err (plate 9) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)

1963, published 1964 · Não exposta · Museu de Arte Moderna

Vizinhas de sala: Museu Whitney de Arte Americana

Página do museu
Early Sunday Morning, Edward Hopper, 1930

Edward Hopper

Early Sunday Morning, 1930

Summer Days, Georgia O'Keeffe, 1936

Georgia O'Keeffe

Summer Days, 1936

Green Coca-Cola Bottles, Andy Warhol, 1962

Andy Warhol

Green Coca-Cola Bottles, 1962

Three Flags, Jasper Johns, 1958

Jasper Johns

Three Flags, 1958

Dempsey and Firpo, George Bellows, 1924

George Bellows

Dempsey and Firpo, 1924

Second Story Sunlight, Edward Hopper, 1960

Edward Hopper

Second Story Sunlight, 1960

My Egypt, Charles Demuth, 1927

Charles Demuth

My Egypt, 1927

The Thinking Ocean, Memo Akten & Katie Hofstadter, 2026

Memo Akten & Katie Hofstadter

The Thinking Ocean, 2026