Ensor, JamesBélgica, 1860–1949The Cathedral (La cathedrale)
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De momento, não recebe
Galeria Nacional de Arte
Washington, D.C., Estados Unidos
Pertence à coleção, mas de momento não está exposta.
- Verificado
- Neste estado desde
- Fonte
- O museu
Pormenores
- Número de inventário
- 1948.11.63
O que mostra
No catálogo
Fontes
- Galeria Nacional de Arte
- Imagem: Galeria Nacional de Arte — © the artist or rights holder
Entretanto, na vida de Ensor, James
A vida inteira1860–1949 · Local de trabalho
Ostend
1880s
Brief trips to France and the Netherlands
Ensor travelled very little: in the 1880s, just three brief trips to France and two to the Netherlands.
1883–1893 · Filiação
Les XX
1887
Death of his father
His father, James Frederic Ensor, died — a scion of a wealthy English family who never found his footing in Belgium, mocked by small-town Ostend as a drunkard and failure, yet always supportive of his son's passion for art. Left the only man in the family, James felt a special responsibility for his younger sister Mariette (Mitche).
1888–1892
Turning-point years: the Passion of Christ
Ensor turned to religious themes, most often the torments of Christ, expressing through them his disgust at the inhumanity of the world; an atheist, he identified with Christ as a victim of mockery. At the height of his creative powers, between 1886 and 1891, he made 86 of his 133 etchings.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
