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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Temple bell
Temple bell, Hanabusa Itcho 英一蝶, mid 17th-early 18th century

Temple bell

mid 17th-early 18th century · Painting

Pormenores

Número de inventário
F1904.387

Mais obras de Hanabusa Itchō 英 一蝶

Todas as obras

Vizinhas de sala: National Museum of Asian Art

Página do museu

Sobre o mesmo tema · Bells

Todas as obras sobre o tema
Hanabusa Itchō 英 一蝶, retratoHanabusa Itchō 英 一蝶Japão, 1652–1724

Será possível contemplá-la?

Desconhecido

NMA
National Museum of Asian Art

Washington, D.C., Estados Unidos

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
5 de out. de 2026
Fonte
O museu
No mapaPágina do museu

O que mostra

BellsCharles Lang Freer collectionLandscapeArtTempleEdo period, Japan, (1600 - 1868)Japanese Art

No catálogo

PinturasTintaPintura japonesaRococóSéculo XVIII

Fontes

  • National Museum of Asian Art
  • Imagem: National Museum of Asian Art — Smithsonian Institution (CC0)
Rollbild mit Darstellung der Murasaki Shikibu, Hanabusa Itchō

Rollbild mit Darstellung der Murasaki Shikibu

Museum Kunstpalast

Parinirvana of Sakyamuni, the Historical Buddha, Hanabusa Itchō, late 17th century

Parinirvana of Sakyamuni, the Historical Buddha

late 17th century · Não exposta · Instituto de Artes de Minneapolis

Scenes from Comic Plays [one of a pair], Hanabusa Itchō, c. 1710

Scenes from Comic Plays [one of a pair]

c. 1710 · Não exposta · Instituto de Artes de Minneapolis

Scenes from Comic Plays [one of a pair], Hanabusa Itchō, c. 1710

Scenes from Comic Plays [one of a pair]

c. 1710 · Não exposta · Instituto de Artes de Minneapolis

An Owl Perched in a Tree, Hanabusa Itchō, c. 1710

An Owl Perched in a Tree

c. 1710 · Não exposta · Instituto de Artes de Minneapolis

Boy with Water Buffalo [left of a pair], Hanabusa Itchō, late 17th–early 18th century

Boy with Water Buffalo [left of a pair]

late 17th–early 18th century · Não exposta · Instituto de Artes de Minneapolis

Boy Riding Water Buffalo [right of a pair], Hanabusa Itchō, late 17th–early 18th century

Boy Riding Water Buffalo [right of a pair]

late 17th–early 18th century · Não exposta · Instituto de Artes de Minneapolis

Sketch of a Priest, Hanabusa Itcho, Edo Period (1610–1868)

Sketch of a Priest

Edo Period (1610–1868) · Não exposta · Art Institute of Chicago

Cylindrical jar, James McNeill Whistler, 1876-1878

James McNeill Whistler

Cylindrical jar, 1876-1878

Staircase panel, James McNeill Whistler, 1876

James McNeill Whistler

Staircase panel, 1876

The Velvet Dress (Mrs. Leyland), James McNeill Whistler, 1873-1874

James McNeill Whistler

The Velvet Dress (Mrs. Leyland), 1873-1874

The Blue Girl, James McNeill Whistler, 1873-1876

James McNeill Whistler

The Blue Girl, 1873-1876

The Blue Girl (fragment): Yellow and Blue, James McNeill Whistler, 1872-1876

James McNeill Whistler

The Blue Girl (fragment): Yellow and Blue, 1872-1876

The Blue Girl (fragment): Purple and Blue, James McNeill Whistler, 1872-1876

James McNeill Whistler

The Blue Girl (fragment): Purple and Blue, 1872-1876

Nocturne: Blue and Silver--Bognor, James McNeill Whistler, 1871-1876

James McNeill Whistler

Nocturne: Blue and Silver--Bognor, 1871-1876

Arrangement in Black: Portrait of F. R. Leyland, James McNeill Whistler, 1870-1873

James McNeill Whistler

Arrangement in Black: Portrait of F. R. Leyland, 1870-1873

St. Anthony the Abbot holding a book and two bells leaning on a tau-cross, ca. 1550-1585

St. Anthony the Abbot holding a book and two bells leaning on a tau-cross, ca. 1550-1585

Não exposta · Museu Vitória e Alberto

Bell Ringers, Henry Wolf, 1881

Henry Wolf

Bell Ringers, 1881

Museu Smithsoniano de Arte Americana

One of seventy-two paintings of occupations., ca. 1875

One of seventy-two paintings of occupations., ca. 1875

Não exposta · Museu Vitória e Alberto

Design for a pier-glass from; A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, ca.1755-1760

John Linnell

Design for a pier-glass from; A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., ca.1755-1760

Não exposta · Museu Vitória e Alberto

painting, Beatrix Potter, 1900

Beatrix Potter

painting, 1900

Não exposta · Museu Vitória e Alberto

Drawing, D. Gargiolo

D. Gargiolo

Drawing

Museu Smithsoniano de Arte Americana

Watch-Tower, Corner of Spring and Varick Streets, New York, from Harper's Weekly, February 28, 1874, Winslow Homer, 1874

Winslow Homer

Watch-Tower, Corner of Spring and Varick Streets, New York, from Harper's Weekly, February 28, 1874, 1874

Museu Smithsoniano de Arte Americana

A fat old man sitting beside a large bell, Katsushika Hokusai 葛飾北斎, 1760-1849

Katsushika Hokusai

A fat old man sitting beside a large bell, 1760-1849

National Museum of Asian Art