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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Tafawa Balewa Square Crowd
Tafawa Balewa Square Crowd, Marilyn Nance, 1977, printed later
Marilyn Nance, retratoMarilyn NanceEstados Unidos, 1953

Tafawa Balewa Square Crowd

1977, printed later · Photograph

Pormenores

1977, printed later · aos 24 anos
1953hoje
Número de inventário
2021.280

Mais obras de Marilyn Nance

Todas as obras

Vizinhas de sala: Art Institute of Chicago

Página do museu

Sobre o mesmo tema · African American

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Art Institute of Chicago

Chicago, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

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28 de set. de 2026
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African AmericanAfricanBlack cultureCritical HistoryPeoplePortraits: African subjectDocumentary

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FotografiasProva de gelatina e prataArte contemporâneaSéculo XXEstados Unidos

Fontes

  • Art Institute of Chicago
  • Imagem: Art Institute of Chicago — © the artist or rights holder
Sun Ra Rehearsing in FESTAC Village, Marilyn Nance, February 1977

Sun Ra Rehearsing in FESTAC Village

1977 · Museu de Arte Moderna

Nigeria FESTAC 77, Marilyn Nance, January 15, 1977

Nigeria FESTAC 77

1977 · Museu de Arte Moderna

Nigeria FESTAC 77, Marilyn Nance, 1977, printed 2019

Nigeria FESTAC 77

1977, printed 2019 · Não exposta · Art Institute of Chicago

Senegalese Contingent, Closing Ceremony, Marilyn Nance, 1977, printed later

Senegalese Contingent, Closing Ceremony

1977, printed later · Não exposta · Art Institute of Chicago

National Stadium Crowd, Marilyn Nance, 1977, printed later

National Stadium Crowd

1977, printed later · Não exposta · Art Institute of Chicago

Nigeria FESTAC 77, Marilyn Nance, 1977

Nigeria FESTAC 77

1977 · Não exposta · Art Institute of Chicago

USA Contingent, Closing Ceremony, National Stadium, Marilyn Nance, 1977, printed later

USA Contingent, Closing Ceremony, National Stadium

1977, printed later · Não exposta · Art Institute of Chicago

Nigeria FESTAC 77, Marilyn Nance, 1977, printed 1978

Nigeria FESTAC 77

1977, printed 1978 · Não exposta · Art Institute of Chicago

The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Plate Number 6. Walking, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 6. Walking, 1887

Não exposta · Galeria Nacional de Arte

Plate Number 126. Descending stairs, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 126. Descending stairs, 1887

Não exposta · Galeria Nacional de Arte

Nurse Midwife Maude Callen, New Dresses, W. Eugene Smith, 1951

W. Eugene Smith

Nurse Midwife Maude Callen, New Dresses, 1951

Não exposta · Galeria Nacional de Arte

Langston Hughes, Chicago, Gordon Parks, December 1941

Gordon Parks

Langston Hughes, Chicago, 1941

Não exposta · Galeria Nacional de Arte

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), Gordon Parks, October 1943

Gordon Parks

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), 1943

Não exposta · Galeria Nacional de Arte

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), 1943

Não exposta · Galeria Nacional de Arte

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), Gordon Parks, October 1943

Gordon Parks

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), 1943

Não exposta · Galeria Nacional de Arte

Lt. "Wild Bill" William Walker, former college athlete, in the cockpit of a P39, Selfridge Field, Michigan ("All clear—Contact."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker, former college athlete, in the cockpit of a P39, Selfridge Field, Michigan ("All clear—Contact."), 1943

Não exposta · Galeria Nacional de Arte