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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Still-Life
Still-Life, Giorgio Morandi, 1930
Giorgio Morandi, retratoGiorgio MorandiItália, 1890–1964

Still-Life

1930 · Print

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De momento, não recebe

Art Institute of Chicago

Chicago, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 9 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1930 · aos 40 anos
18901964
Número de inventário
1962.117

No catálogo

GravurasÁgua-forteModernismoSéculo XXItália

Fontes

  • Art Institute of Chicago
  • Imagem: Art Institute of Chicago — © the artist or rights holder

Entretanto, na vida de Giorgio Morandi

A vida inteira
  1. 1914–1929

    Drawing teacher in Bologna's elementary schools

    He is appointed instructor of drawing in the elementary schools of Bologna, a post he holds until 1929; his family's financial difficulties keep him in his home city.

  2. 1920s

    Sympathy for the Fascist party and “Strapaese”

    In the 1920s he is sympathetic to the Fascist party; by the end of the decade he is more specifically associated with the regional Strapaese group, which stressed local cultural traditions and was influenced by Fascism.

  3. 1926 and 1929

    The “Novecento Italiano” exhibitions

    He shows his work in the Novecento Italiano exhibitions of 1926 and 1929.

  4. 1930–1956

    Chair of etching technique at the Bologna Academy

    His successes in etching during the 1920s allow him to head the chair of engraving technique at the Bologna Academy of Fine Arts, which he holds until 1956.

  5. 1931

    Works at the Rome Quadriennale

    From 1928 he exhibits in Italy and abroad; from 1931 his work is shown at the most prestigious national exhibition, the Rome Quadriennale (in 1931 and 1935).

  6. 1932

    First Exhibition of Modern Italian Engraving

    He takes part in the First Exhibition of Modern Italian Engraving in Florence; at the same time the magazine L'italiano devotes a special issue to him, with an article by Ardengo Soffici.

Mais obras de Giorgio Morandi

Todas as obras
Still Life, Giorgio Morandi, c. 1955

Still Life

c. 1955 · Galeria Nacional de Arte

Still Life, Giorgio Morandi, c. 1955

Still Life

c. 1955 · Galeria Nacional de Arte

Bridge over the Savena, Bologna, Giorgio Morandi, 1912

Bridge over the Savena, Bologna

1912 · Não exposta · Museu de Arte Moderna

Landscape--Grizzana, Giorgio Morandi, 1913

Landscape--Grizzana

1913 · Não exposta · Galeria Nacional de Arte

Landscape, Giorgio Morandi, (1913)

Landscape

(1913) · Não exposta · Museu de Arte Moderna

Still Life, Giorgio Morandi, 1916

Still Life

1916 · Não exposta · Museu de Arte Moderna

Metaphysical Still Life, Giorgio Morandi, 1918

Metaphysical Still Life

1918 · Hermitage

Still Life with a Basket of Bread, Giorgio Morandi, 1921

Still Life with a Basket of Bread

1921 · Não exposta · Galeria Nacional de Arte

Vizinhas de sala: Art Institute of Chicago

Página do museu
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942