St Philip Neri, Gian Lorenzo Bernini, ca. 1625
Gian Lorenzo Bernini, retratoGian Lorenzo BerniniItália, 1598–1680

St Philip Neri

ca. 1625 · Bust

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
Neste estado desde
Fonte
O museu

Sobre a escultura

This terracotta bust representing Saint Philip Neri is made by Gian Lorenzo Bernini, in Rome in ca. 1625.

It appears to have been based on the death mask of the Saint preserved at Santa Maria in Vallicella.

Ler mais

Gian Lorenzo Bernini (1598-1680) was a prolifiic sculptor, architect, painter and draughtsman. He was celebrated for his astonishing ability to produce 'living' marble sculpture. Bernini produced a series of dramatic over-life-size sculptures for Cardinal Scipione Borghese, including Pluto and Proserpine, Apollo and Daphne and David. One of Bernini's greatest works is the Cornaro Chapel in Santa Maria della Vittoria, Rome, which houses the famous Ecstacy of St Theresa. Bernini was patronised by a succession of popes and worked extensively at St Peter's Basilica, where he created the baldacchino (canopy), Cathedra Petri and two papal tombs, as well as designing St Peter's Square with its colonnades, and the great ceremonial staircase to the Vatican Palace.

Museu Vitória e Alberto

Pormenores

Número de inventário
A.26-1960

O que mostra

No catálogo

Fontes

Entretanto, na vida de Gian Lorenzo Bernini

A vida inteira
  1. 1606–1642 · Residência

    House of Pietro and Gianlorenzo Bernini (Rome)

  2. 1620s

    Serious work as a painter

    Encouraged by Urban VIII, who wanted him to paint the Loggia of the Blessings in St Peter's, Bernini began to develop his skill as a painter in earnest; according to early biographers he finished at least 150 canvases, mostly in 1620–1630, but only some 35–40 surviving paintings can be confidently attributed to him.

  3. 1623

    Urban VIII becomes pope: the Barberini years

    Bernini's old friend and former tutor Cardinal Maffeo Barberini became Pope Urban VIII and, until his death in 1644, gave the artist near-monopolistic patronage; Bernini was made curator of the papal art collection, director of the papal foundry at Castel Sant'Angelo and commissioner of the fountains of Piazza Navona.

Todas as obras

No mesmo museu: Museu Vitória e Alberto

Página do museu