
Rembrandt van RijnPaíses Baixos, 1606–1669Será possível contemplá-la?
Estocolmo, Suécia
O dono é conhecido. Se hoje está exposta, o museu não o diz, e adivinhar não é da nossa competência.
Saint Peter—Jesus’s disciple and the first pope in Rome—turns his grave face to look straight at us. His grim gaze seems to admonish us to think about our deeds and live a Christian life. The key is Peter’s customary symbol. In the seventeenth century, Saint Peter was an important symbol for the papacy and the Catholic Church, but he is a relatively unusual motif for Rembrandt. The directness with which the figure meets the viewer is, however, very characteristic. The chiaroscuro—where the face, hand, and key dramatically emerge from the dark—is also typical of the artist’s work.
Museu Nacional de Belas-Artes da Suécia
1625–1631 · Local de trabalho
Leiden
14 de janeiro de 1628 – 1631
Pupil: Gerrit Dou
1629–1631
Pupil: Isaac de Jouderville
1631–1669 · Local de trabalho
Amsterdam
1634
Marriage to Saskia van Uylenburgh
Rembrandt married Saskia van Uylenburgh, cousin of the art dealer Hendrick van Uylenburgh; the wedding took place in the church of Sint Annaparochie without the artist's relatives. The marriage opened his access to commissions from prosperous burghers.
22 de junho de 1634
Married: Saskia van Uylenburgh