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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Sky above Clouds IV
Sky above Clouds IV, Georgia O'Keeffe, 1965
Georgia O'Keeffe, retratoGeorgia O'KeeffeEstados Unidos, 1887–1986

Sky above Clouds IV

1965 · Painting

Sobre a pintura

Painted in the summer of 1965, when Georgia O’Keeffe was 77 years old, this monumental work culminates a series inspired by the artist’s experiences as an airplane passenger during the 1950s. Working in Abiquiu, New Mexico, O’Keeffe began around 1963 to capture the endless expanses of clouds she had observed from airplane windows during trips all over the world. Beginning with a relatively realistic depiction of small white clouds on a three-by-four-foot canvas, she progressed to more stylized images of the motif on larger surfaces. O’Keeffe wrote:

"I painted a painting eight feet high and twenty-four feet wide—it kept me working every minute from six a.m. till eight or nine at night as I had to be finished before it was cold—I worked in the garage and it had no heat—Such a size is of course ridiculous but I had it in my head as something I wanted to do for a couple of years."

Continuar a ler

In 1970 Sky above Clouds IV was scheduled to be included in a retrospective of O’Keeffe’s work at the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the San Francisco Museum of Art. After being shown in New York and Chicago, the painting was determined to be too large to enter the doors of the museum in San Francisco. It thus remained on loan to the Art Institute for more than a decade, while the artist and public-minded collectors of her art arranged for it to join the museum’s permanent collection.

The special relationship between O’Keeffe and the Art Institute began in 1905, when she enrolled as a student at the School of the Art Institute. Her first museum retrospective was organized here in 1943. Later, as the executor for the estate of her husband, the pioneering American photographer and art dealer Alfred Stieglitz, O’Keeffe presented the Art Institute with an important group of modernist works, including a number of her own, many of which are on view in the galleries of American art. She continued to make significant additions to this bequest until her death, at age 98, in 1986.

Art Institute of Chicago · CC BY 4.0

Pormenores

1965 · aos 78 anos
18871986
Número de inventário
1983.821

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Abstraction Blue, Georgia O'Keeffe, 1927

Abstraction Blue

1927 · Museu de Arte Moderna

Shell No. I, Georgia O'Keeffe, 1928

Shell No. I

1928 · Galeria Nacional de Arte

Jack-in-the-Pulpit No. IV, Georgia O'Keeffe, 1930

Jack-in-the-Pulpit No. IV

1930 · Galeria Nacional de Arte

Jack-in-Pulpit Abstraction - No. 5, Georgia O'Keeffe, 1930

Jack-in-Pulpit Abstraction - No. 5

1930 · Galeria Nacional de Arte

Black Place I, Georgia O'Keeffe, 1945

Black Place I

1945 · Instituto de Artes de Minneapolis

A Black Bird with Snow-Covered Red Hills, Georgia O'Keeffe, 1946

A Black Bird with Snow-Covered Red Hills

1946 · Galeria Nacional de Arte

Pedernal -- From the Ranch #1, Georgia O'Keeffe, 1956

Pedernal -- From the Ranch #1

1956 · Instituto de Artes de Minneapolis

Summer Days, Georgia O'Keeffe, 1936

Summer Days

1936 · Museu Whitney de Arte Americana

The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Wheat Field with Cypresses, Vincent van Gogh, 1889

Vincent van Gogh

Wheat Field with Cypresses, 1889

Museu Metropolitano de Arte

Houses on the Achterzaan, Claude Monet, 1871

Claude Monet

Houses on the Achterzaan, 1871

Museu Metropolitano de Arte

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Ponte de Pedra, c. 1638

Museu Estatal de Amesterdão

Hiëronymus lezend in een Italiaans landschap, Rembrandt van Rijn, c. 1653

Rembrandt van Rijn

Hiëronymus lezend in een Italiaans landschap, c. 1653

Museu Estatal de Amesterdão

From Glacier Point, Ansel Adams, 1927

Ansel Adams

From Glacier Point, 1927

Não exposta · Galeria Nacional de Arte

Oak Tree, Snowstorm, Yosemite National Park, California, Ansel Adams, 1948, printed 1981

Ansel Adams

Oak Tree, Snowstorm, Yosemite National Park, California, 1948, printed 1981

Não exposta · Galeria Nacional de Arte

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, Ansel Adams, c. 1935, printed 1979

Ansel Adams

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, c. 1935, printed 1979

Não exposta · Galeria Nacional de Arte

Canyon de Chelly National Monument, Arizona, Ansel Adams, 1942, printed 1981

Ansel Adams

Canyon de Chelly National Monument, Arizona, 1942, printed 1981

Não exposta · Galeria Nacional de Arte