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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Sketch-model
Sketch-model, Alfred George Stevens, ca. 1850
Alfred Stevens, retratoAlfred StevensReino Unido, 1817–1875

Sketch-model

ca. 1850 · Sketch-model

Sobre a escultura

This centre piece of a fender, made by Stevens, was exhibited at the Great Exhibition in 1851.

A sculptor, designer and painter, Alfred Stevens (1817/18- 1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces.

Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.

Continuar a ler

The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.

Museu Vitória e Alberto

Pormenores

ca. 1850
18171875
Número de inventário
A.78-1911

Mais obras de Alfred Stevens

Todas as obras

Vizinhas de sala: Museu Vitória e Alberto

Página do museu

Sobre o mesmo tema · Scrolls

Todas as obras sobre o tema

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De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

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25 de set. de 2026
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Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Model for the Wellington Monument in St Paul's Cathedral, Alfred George Stevens, 1857

Model for the Wellington Monument in St Paul's Cathedral

1857 · Museu Vitória e Alberto

Valour and Cowardice, Alfred George Stevens, 1866

Valour and Cowardice

1866 · Museu Vitória e Alberto

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Model for Wellington Monument: Truth and Falsehood

1867-8 · Museu Vitória e Alberto

William Blundell Spence, Alfred Stevens, 1851

William Blundell Spence

1851 · National Gallery

Woman with Book (recto); Sketches of Male Figure (verso), Alfred George Stevens, n.d.

Woman with Book (recto); Sketches of Male Figure (verso)

n.d. · Não exposta · Art Institute of Chicago

Decorative Design with Putti and Griffins, Alfred George Stevens, n.d.

Decorative Design with Putti and Griffins

n.d. · Não exposta · Art Institute of Chicago

Drawing, Alfred George Stevens

Drawing

Não exposta · Museu Vitória e Alberto

Drawing, Alfred George Stevens

Drawing

Não exposta · Museu Vitória e Alberto

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

An Apostle, Carlo Crivelli, ca. 1471–73

Carlo Crivelli

An Apostle, ca. 1471–73

Museu Metropolitano de Arte

Statue of Seated Imhotep, 332–30 BCE

Statue of Seated Imhotep, 332–30 BCE

Museu Metropolitano de Arte

Standing man in cap and gown holding a scroll, Cambiaso, ca. 1550-85

Cambiaso

Standing man in cap and gown holding a scroll, ca. 1550-85

Não exposta · Museu Vitória e Alberto

Bust, Rouen pottery factory, 19th century

Rouen pottery factory

Bust, 19th century

Museu Vitória e Alberto

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, late 18th century

John Linnell

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., late 18th century

Não exposta · Museu Vitória e Alberto

<i>Flötenkonzert</i>, Johann Georg Schumann, ca. 1775

Johann Georg Schumann

<i>Flötenkonzert</i>, ca. 1775

Museu Vitória e Alberto

Bust, Rouen pottery factory, 19th century

Rouen pottery factory

Bust, 19th century

Museu Vitória e Alberto

Figure group, Etienne-Maurice Falconet, 1830-1835

Etienne-Maurice Falconet

Figure group, 1830-1835

Museu Vitória e Alberto