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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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Simplon Pass, Joseph Mallord William Turner, c. 1850
Joseph Mallord William Turner, retratoJoseph Mallord William TurnerReino Unido, 1775–1851

Simplon Pass

c. 1850 · Drawing

Pormenores

c. 1850
17751851
Número de inventário
1954.133

Entretanto, na vida de Joseph Mallord William Turner

A vida inteira
  1. 1830–1840s

    Criticism in the 1830s–1840s and Ruskin’s defence

    His innovative works, bordering on abstraction, gave him a reputation for madness: the Victorian public preferred realism and sentimentality, and Queen Victoria refused to knight him. John Ruskin came to his defence, calling him “the greatest artist of all time”.

  2. 1845–1851

    Life as “Mr Booth” in Chelsea

    In his seventies he formed a relationship with the widow Sophia Caroline Booth and often stayed with her, under the pseudonym “Mr Booth” or “Admiral Booth”, in her house at 6 Davis’s Place (now Cheyne Walk) in Chelsea, where he died in 1851.

  3. 1851

    Bequeaths some 300 paintings to the nation

    In an unprecedented gesture he bequeathed to the nation about 100 finished and 200 unfinished oil paintings, over 19,000 sketches, drawings and watercolours and some 200 sketchbooks; he specified that a special gallery should be built for them, and his will included a donation of £140,000 in investments and property to help painters.

  4. 19 December 1851

    Death in Sophia Booth’s house; his last words

    He died, reportedly of cholera, in the house of Sophia Caroline Booth on Cheyne Walk in Chelsea; his last words are apparently “The Sun is God”. He is buried in St Paul’s Cathedral next to Sir Joshua Reynolds.

  5. 19 de dezembro de 1851

    Died

Mais obras de Joseph Mallord William Turner

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Na mesma sala · Gallery 3500, floor 3, Special Exhibitions Gallery, Harvard Art Museums

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Whalers, Joseph Mallord William Turner, ca. 1845

Whalers

ca. 1845 · Museu Metropolitano de Arte

The Junction of the Thames and the Medway, Joseph Mallord William Turner, 1807

The Junction of the Thames and the Medway

1807 · Galeria Nacional de Arte

Saltash with the Water Ferry, Cornwall, Joseph Mallord William Turner, 1811

Saltash with the Water Ferry, Cornwall

1811 · Museu Metropolitano de Arte

Mortlake Terrace, Joseph Mallord William Turner, 1827

Mortlake Terrace

1827 · Galeria Nacional de Arte

Rotterdam Ferry-Boat, Joseph Mallord William Turner, 1833

Rotterdam Ferry-Boat

1833 · Galeria Nacional de Arte

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Venice: The Dogana and San Giorgio Maggiore

1834 · Galeria Nacional de Arte

Keelmen Heaving in Coals by Moonlight, Joseph Mallord William Turner, 1835

Keelmen Heaving in Coals by Moonlight

1835 · Galeria Nacional de Arte

Venice, from the Porch of Madonna della Salute, Joseph Mallord William Turner, ca. 1835

Venice, from the Porch of Madonna della Salute

ca. 1835 · Museu Metropolitano de Arte

The Wood Chopper (Le coup de grace), Ferdinand Hodler, c. 1910

Ferdinand Hodler

The Wood Chopper (Le coup de grace), c. 1910

Olive Trees, Corfu, John Singer Sargent, 1909

John Singer Sargent

Olive Trees, Corfu, 1909

The Pond, Honfleur, France, Félix Vallotton, 1909

Félix Edouard Vallotton

The Pond, Honfleur, France, 1909

Leuvehaven, Rotterdam (seen from the Leuvebrug on the Zeevischmarkt), Johan Hendrik van Mastenbroek, 1909

Johan Hendrik van Mastenbroek

Leuvehaven, Rotterdam (seen from the Leuvebrug on the Zeevischmarkt), 1909

Sketchbook, Henri-Edmond Cross, 1897

Henri Edmond Cross

Sketchbook, 1897

Sketchbook, Henri-Edmond Cross, 1897

Henri Edmond Cross

Sketchbook, 1897

Landscape, Eragny, Camille Pissarro, 1890

Camille Jacob Pissarro

Landscape, Eragny, 1890

Landscape with an Orange Tree, Claude Emile Schuffenecker, 1889-1891

Claude Emile Schuffenecker

Landscape with an Orange Tree, 1889-1891