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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Galeria Nacional de Arte/
  3. Simone Taverna
Simone  Taverna, Milanese 16th Century, early 16th century
MMilanese 16th CenturyItália

Simone Taverna

early 16th century · Sculpture

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

Número de inventário
1957.14.790

O que mostra

Bust facing rightTaverna, Simone, of Milan

No catálogo

EsculturaBronzeRenascimentoMilanese

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — Museum open access

Mais obras de Milanese 16th Century

Todas as obras
Venus, Milanese 16th Century, c. 1580/1590

Venus

c. 1580/1590 · Galeria Nacional de Arte

The Man of Sorrows, Milanese 16th Century, early 16th century

The Man of Sorrows

early 16th century · Não exposta · Galeria Nacional de Arte

Vizinhas de sala: Galeria Nacional de Arte

Página do museu
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre o mesmo tema · Bust facing right

Todas as obras sobre o tema
Self-Portrait of Rembrandt, Georg Friedrich Schmidt, after Rembrandt van Rijn, 1771

Rembrandt van Rijn

Self-Portrait of Rembrandt, 1771

Não exposta · Galeria Nacional de Arte

William S. Burroughs slightly zonked, his dooryard-garden wall Villa Muneria, looking at me suspiciously, "Who are you an Agent for?" He "traced back along word-lines," cut-up technique of anti-brainwash language analysis, inquiring sources of my mental conditioning, perhaps Liberal Professor Trilling, perhaps "a trust of giant insects from another Galaxy" conspiring to make Nova Conditions on our Planet, exterminate HomoSap the Human animal so another life-form, virus invasion, move in on the Turf, such like poetries on his mind. Timothy Leary visited from Harvard, we took small amount of psilocybin, Bill shut himself inside his garden gate with a wave of his hand, allergic, paranoia season. Peter Orlovsky departed alone, ship to Athens, Bill employed for Scandinavia L.S.O. Conference leaving Gregory Corso and myself waving him goodbye, Allen Ginsberg, 1961, printed 1995

Allen Ginsberg

William S. Burroughs slightly zonked, his dooryard-garden wall Villa Muneria, looking at me suspiciously, "Who are you an Agent for?" He "traced back along word-lines," cut-up technique of anti-brainwash language analysis, inquiring sources of my mental conditioning, perhaps Liberal Professor Trilling, perhaps "a trust of giant insects from another Galaxy" conspiring to make Nova Conditions on our Planet, exterminate HomoSap the Human animal so another life-form, virus invasion, move in on the Turf, such like poetries on his mind. Timothy Leary visited from Harvard, we took small amount of psilocybin, Bill shut himself inside his garden gate with a wave of his hand, allergic, paranoia season. Peter Orlovsky departed alone, ship to Athens, Bill employed for Scandinavia L.S.O. Conference leaving Gregory Corso and myself waving him goodbye, 1961, printed 1995

Não exposta · Galeria Nacional de Arte

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443, Pisanello, c. 1449

Pisanello

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443, c. 1449

Não exposta · Galeria Nacional de Arte

Portrait of a Man, Facing Right, Alex Katz, 1950s

Alex Katz

Portrait of a Man, Facing Right, 1950s

Não exposta · Galeria Nacional de Arte

Gian Galeazzo Maria Sforza, Duke of Milan, Workshop of Benedetto Briosco, early 1490s

anonymous

Gian Galeazzo Maria Sforza, Duke of Milan, early 1490s

Não exposta · Galeria Nacional de Arte

Bust of a Youth, Studio of Giovanni Bernardi

anonymous

Bust of a Youth

Não exposta · Galeria Nacional de Arte

Filippo Maria Visconti, Imitator of Benedetto Briosco, part before 1878, part 1930

anonymous

Filippo Maria Visconti, part before 1878, part 1930

Não exposta · Galeria Nacional de Arte

Joel Barlow, after Jean-Antoine Houdon, model 1803, cast by 1913

Jean-Antoine Houdon

Joel Barlow, model 1803, cast by 1913

Não exposta · Galeria Nacional de Arte