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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Show Bill, Demopolis, Alabama
Show Bill, Demopolis, Alabama, Walker Evans, 1936, printed later
Walker Evans, retratoWalker EvansEstados Unidos, 1903–1975

Show Bill, Demopolis, Alabama

1936, printed later · Photograph

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Art Institute of Chicago

Chicago, Estados Unidos

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Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1936, printed later · aos 33 anos
19031975
Número de inventário
1988.396.13

O que mostra

Documentary

No catálogo

FotografiasProva de gelatina e prataModernismoSéculo XXEstados Unidos

Fontes

  • Art Institute of Chicago
  • Imagem: Art Institute of Chicago — © the artist or rights holder

Entretanto, na vida de Walker Evans

A vida inteira
  1. June 1935

    A miners' settlement and a staff post at the RA

    In 1935 Evans spends two months on a fixed-term photographic campaign in West Virginia and Pennsylvania; in June he accepts a job from the U.S. Department of the Interior to photograph a government-built resettlement community of unemployed coal miners in West Virginia. He quickly parlays this temporary employment into a full-time position as an “information specialist” in the Resettlement Administration (later the Farm Security Administration) and from October 1935 on does photographic work for it, primarily in the Southern United States.

  2. summer 1936

    Hale County with James Agee, on assignment for Fortune

    In the summer of 1936, while on leave from the FSA, Evans and the writer James Agee are sent by Fortune to Hale County, Alabama, for a story the magazine subsequently opts not to run.

  3. 1938

    “Walker Evans: American Photographs” at MoMA

    The Museum of Modern Art in New York holds “Walker Evans: American Photographs”, the museum's first exhibition devoted to the work of a single photographer; the catalogue includes an essay by Lincoln Kirstein, whom Evans befriended in his early days in New York.

  4. until 1938

    The end of his FSA work

    Evans continues to work for the Farm Security Administration until 1938.

  5. 1938–1939

    Working with and mentoring Helen Levitt

    In 1938 and 1939 Evans works with and mentors Helen Levitt.

Mais obras de Walker Evans

Todas as obras
African Sculpture, Walker Evans, 1935

African Sculpture

1935 · Museu de Arte Moderna

Painted Sign on Fence, Cedar Point, Ohio, Walker Evans, 1930s

Painted Sign on Fence, Cedar Point, Ohio

1930s · Não exposta · Galeria Nacional de Arte

Coney Island, New York, Walker Evans, 1928 or 1929

Coney Island, New York

1928 or 1929 · Não exposta · Galeria Nacional de Arte

Manhattan, Walker Evans, c. 1928

Manhattan

c. 1928 · Não exposta · Galeria Nacional de Arte

New York City, Walker Evans, 1928-1929

New York City

1928-1929 · Não exposta · Galeria Nacional de Arte

Coney Island, New York, Walker Evans, 1928 or 1929

Coney Island, New York

1928 or 1929 · Não exposta · Galeria Nacional de Arte

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · Não exposta · Museu de Arte Moderna

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · Não exposta · Museu de Arte Moderna

Vizinhas de sala: Art Institute of Chicago

Página do museu
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942