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  3. Shah Abu'l Ma'ali
Shah Abu'l Ma'ali, Jagan, ca. 1590-95
JJagan

Shah Abu'l Ma'ali

ca. 1590-95 · Painting · 31.5 × 19.3 cm

Sobre a pintura

This painting designed by the Mughal court artist Jagan, and painted by Asir, is an illustration to the Akbarnama (Book of Akbar), commissioned in 1589 by the emperor Akbar (r.1556–1605) as the official chronicle of his reign. It depicts the execution of Shah Abul Ma’ali at Kabul, in present-day Afghanistan, in 1564.

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Shah Abu’l Ma’ali had been in service to Akbar's father, Humayun, but from the beginning of Akbar’s reign in 1556 displayed rebellious tendencies. He was despatched on pilgrimage to Mecca to prevent him stirring up sedition, but returned unchanged and after making an unsuccessful attack on Mughal forces escaped to Kabul. The seriousness of the threat he posed is demonstrated by the attempt on Akbar’s life that took place shortly afterwards. When the emperor visited the shrine of Nizam ad-Din Awliya in Delhi, a man in the crowd shot him with an arrow, wounding him quite seriously. The would-be assassin was put to death, but was discovered to have links with one of Abu’l Ma’ali’s allies. Meanwhile, in Kabul, Abu’l Ma’ali’s illustrious family antecedents had persuaded the politically powerful lady Mah Chuchak Begum to give him her daughter in marriage.

The union ended in catastrophe: Abu’l Ma’ali murdered his mother-in-law and had other family members and servants killed, for which he was hanged. The Akbarnama, written over 25 years later, describes Abu’l Ma’ali throughout in vituperative terms, and the author concludes that with his death ‘the world was cleansed of his hateful existence’. [English translation, Beveridge, vol. II, pp. 317-22]

The Akbarnama was written in Persian by Akbar’s court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.

The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.

Museu Vitória e Alberto

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Número de inventário
IS.2:34-1896

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Museu Vitória e Alberto

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PinturasGuacheRenascimentoSéculo XVIMughalAkbarImpério Mogol

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Wazir Khan and Bahadur Khan, Jagan, ca. 1590-95

Wazir Khan and Bahadur Khan

ca. 1590-95 · Não exposta · Museu Vitória e Alberto

Baz Bahadur, Jagan, ca. 1590-95

Baz Bahadur

ca. 1590-95 · Não exposta · Museu Vitória e Alberto

Akbar and Azim Khan at Dipalpur, Jagan, ca. 1590-95

Akbar and Azim Khan at Dipalpur

ca. 1590-95 · Museu Vitória e Alberto

Akbar Crosses the Ganges on an Elephant, Jagan, ca. 1590-95

Akbar Crosses the Ganges on an Elephant

ca. 1590-95 · Não exposta · Museu Vitória e Alberto

Mu'nim Khan, Jagan, ca. 1590-95

Mu'nim Khan

ca. 1590-95 · Não exposta · Museu Vitória e Alberto

Akbar, Jagan, ca. 1590-95

Akbar

ca. 1590-95 · Não exposta · Museu Vitória e Alberto

Akbar and Azim Khan at Dipalpur, Jagan, ca. 1590-95

Akbar and Azim Khan at Dipalpur

ca. 1590-95 · Museu Vitória e Alberto

Baz Bahadur, Jagan, ca. 1590-95

Baz Bahadur

ca. 1590-95 · Não exposta · Museu Vitória e Alberto

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

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Fu, 2025

Bow Before the Curtain Falls, 2024

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Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

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3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

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Memory Rendering of Saigon Execution, Vik Muniz, 1989, printed 1995

Vik Muniz

Memory Rendering of Saigon Execution, 1989, printed 1995

Não exposta · Galeria Nacional de Arte

The Execution of Saint John the Baptist, Ubaldo Gandolfi, ca. 1770

Ubaldo Gandolfi

The Execution of Saint John the Baptist, ca. 1770

Museu Metropolitano de Arte

Untitled: Man with Gun, Men Standing, Man Shot..., Kojo Griffin, 2003

Kojo Griffin

Untitled: Man with Gun, Men Standing, Man Shot..., 2003

Não exposta · Galeria Nacional de Arte

Saigon Execution, Eddie Adams, February 1, 1968

Eddie Adams

Saigon Execution, February 1, 1968

Não exposta · Galeria Nacional de Arte

Title from caption on object: "Beheading”, Japanese 20th Century, October 24, 1943

Japanese 20th Century

Title from caption on object: "Beheading”, October 24, 1943

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Title from caption on object: “Son Vinh's Family...”, Eddie Adams, March 14, 1966

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Title from caption on object: “Son Vinh's Family...”, March 14, 1966

Não exposta · Galeria Nacional de Arte

Anvar-i Suhayli, late 16th century

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Não exposta · Museu Vitória e Alberto

Painting, 19th century - 20th century

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Não exposta · Museu Vitória e Alberto