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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Galeria Nacional de Arte/
  3. Serenade in Siena
Serenade in Siena, M.C. Escher, 1923
Maurits Cornelis Escher, retratoMaurits Cornelis EscherPaíses Baixos, 1898–1972

Serenade in Siena

1923 · Print

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1923 · aos 25 anos
18981972
Número de inventário
1983.110.5

O que mostra

CourtshipSerenade

No catálogo

GravurasXilogravuraModernismoSéculo XXDutch

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — © the artist or rights holder

Entretanto, na vida de Maurits Cornelis Escher

A vida inteira
  1. 1919–1922

    The Haarlem school and his teacher Mesquita

    In 1919 Escher entered the Haarlem School of Architecture and Decorative Arts, where he learned drawing and woodcut; he soon gave up architecture for decorative arts and graduated in 1922. A huge influence on him was his teacher, the artist Samuel de Mesquita, with whom he remained friends until 1944; he chose the career of an engraver rather than an oil painter quite deliberately — according to the scholar Hans Locher, he was drawn by the possibility of making many impressions.

  2. 1921

    First journey abroad: Italy and the Riviera

    In 1921 Escher travelled abroad for the first time, with his family, to northern Italy and the French Riviera: Italian Renaissance art made a very strong impression on him, he drew olive trees and began experiments with spheres and mirrors. His engravings illustrated his friend Ad van Stolk’s humorous booklet “Flor de Pascua”; the first work to sell in large numbers was “St Francis Preaching to the Birds”.

  3. April – June 1922

    Italy in the spring of 1922: San Gimignano and Siena

    In April 1922 Escher left for Italy with two friends — by legend his mother saw him off with the words “My son, don’t smoke too much”. The friends soon turned back from Florence, but he went on to San Gimignano, drew Volterra and Siena, saw the fluorescent sea for the first time, spent the whole spring outside the city drawing landscapes, plants and insects, visited Assisi, Ravenna, Venice, Padua and Milan, and in June returned to Oosterbeek, intending to move to Italy for good.

  4. September 1922

    Spain and the Alhambra: the Moorish pattern

    In September 1922 Escher sailed to Spain — Barcelona, Madrid, a bullfight, then Granada, where he studied the Moorish style at the Alhambra. The intricate geometric ornaments of the Alhambra — interlocking repetitive patterns in coloured tiles and carved into walls — woke his interest in the mathematics of tessellation and left a lasting mark on his work.

  5. March 1923 – 12 May 1924

    Jetta Umiker: from Ravello to the wedding

    In March 1923 in Ravello Escher first met Jetta (Giulietta) Umiker, the daughter of a Swiss industrialist who until 1917 had managed two textile factories at Nakhabino near Moscow; he declared himself at the last moment, when her family was already leaving for Switzerland. They became engaged and married on 12 May 1924 in Viareggio; on their honeymoon — via Genoa, Annecy, Paris and Brussels — the couple travelled to Oosterbeek, and then returned to live in Italy.

  6. 12 de junho de 1924

    Married: Jetta Umiker

Mais obras de Maurits Cornelis Escher

Todas as obras
Green Sea, M.C. Escher

Green Sea

Não exposta · Galeria Nacional de Arte

Study for Regular Division of the Plane, M.C. Escher, n.d

Study for Regular Division of the Plane

n.d · Não exposta · Galeria Nacional de Arte

Portrait, M.C. Escher

Portrait

Não exposta · Galeria Nacional de Arte

(Color test for unidentified print), M.C. Escher

(Color test for unidentified print)

Não exposta · Galeria Nacional de Arte

Pond, M.C. Escher

Pond

Não exposta · Galeria Nacional de Arte

Railroad, M.C. Escher

Railroad

Não exposta · Galeria Nacional de Arte

City with Rocks (verso), M.C. Escher

City with Rocks (verso)

Não exposta · Galeria Nacional de Arte

Study for Regular Division of the Plane, M.C. Escher, n.d.

Study for Regular Division of the Plane

n.d. · Não exposta · Galeria Nacional de Arte

Vizinhas de sala: Galeria Nacional de Arte

Página do museu
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888