Self-Portrait

In this profile bas-relief, William Henry Rinehart emphasizes his design knowledge. The stylized curls reveal the decorative modeling skills that the sculptor honed while carving mantelpieces as a young man in Baltimore. The directed gaze and dynamic, continuous lines give the self-portrait a sense of immediacy and energy that belie its flat background.

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Na mesma sala · Luce Foundation Center, 3rd Floor, 17A, Museu Smithsoniano de Arte Americana

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Fontes

Antigone Pouring a Libation over the Corpse of Her Brother Polynices

Clytie

Latona and Her Children, Apollo and Diana

Hero

Robert Vanderburgh McKim

Harriet Lane Johnston

Henry Elliott Johnston

Penserosa

Charles Cotesworth Beaman, modeled 1894

Robert Louis Stevenson, modeled 1887, cast 1899

William Gedney Bunce, 1885

Woman Knitting, modeled 1885, cast 1895

Maud Morgan, 1880

Henry P. Wolcott, 1877

Frederic De Peyster, modeled ca. 1875

Judge Edwards Pierrepont, 1874

Three Actors with a Bust of Marie-Thérèse (Trois comédiens avec buste de Marie-Thérèse), 1933

Sculptor and Model with a Sculpture Representing a Bull Attacking Horses (Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux), 1933

Sculptor at Rest I (Le repos du sculpteur I), 1933

Sculptor with His Model and Sculpture of Her Head (Sculpteur avec son modèle et sa sculpture), 1933

Model, Painting, and Sculpture (Modèle, tableau et sculpture), 1933

Sculptors, Models, and Sculpture (Sculpteurs, modèles et sculpture), 1933

A Young Greek Sculptor with Sculptures of a Man and an Ephebe (Jeune sculpteur Grec avec sa sculpture: un homme et un éphèbe), 1933

Sculptor at Rest and Surrealist Sculpture (Lerepos du sculpteur et la sculpture surr ealiste), 1933