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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu de Arte Moderna/
  3. Scoundrels (Lumpen)
Scoundrels (Lumpen), Emil Nolde, 1898, printed c. 1907
Emil Nolde, retratoEmil NoldeAlemanha, Dinamarca, 1867–1956

Scoundrels (Lumpen)

1898, printed c. 1907 · Print

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Museu de Arte Moderna

Nova Iorque, Estados Unidos

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Fonte
O museu
No mapaPágina do museu

Pormenores

1898, printed c. 1907
18671956
Número de inventário
270.1955

No catálogo

GravurasPonta-secaImpressionismoSéculo XIX

Fontes

  • Museu de Arte Moderna
  • Imagem: Museu de Arte Moderna — © the artist or rights holder

Entretanto, na vida de Emil Nolde

A vida inteira
  1. 1898

    Leaves his post to become a free artist

    In 1898, at the age of thirty-one, Nolde left his post as a drawing teacher at the school of the Museum of Industrial and Applied Arts in St Gallen, where he had worked since 1892, to pursue at last his dream of becoming an independent artist.

  2. 1899 · Formação

    Académie Julian

  3. 1902

    Marries Ada Vilstrup and moves to Berlin

    In 1902 Nolde married the Danish actress Ada Vilstrup (1879–1946) and moved to Berlin, where he met the collector Gustav Schiefler and the artist Karl Schmidt-Rottluff, both of whom would later advocate his work.

  4. 1906

    A turn from Impressionism to religious subjects

    In 1906 Nolde, who had grown up in a small religious community near the German-Danish border and had read the whole Bible, turned from an Impressionist manner to religious subjects stressing the emotion of the moment, bright colours and two-dimensionality; in his early religious works (1900–1904) he had not yet found his own style and followed models such as Millet and Daumier.

  5. 1906–1907

    Meets Edvard Munch

    During his time with Die Brücke Nolde met Edvard Munch.

  6. 1909

    Poisoned water: a brush with death

    In 1909, at the age of forty-two, Nolde nearly died after drinking poisoned water; the experience hastened his turn to religious painting.

Mais obras de Emil Nolde

Todas as obras
Flower Garden, Kneeling Woman with Hat, Emil Nolde, 1908

Flower Garden, Kneeling Woman with Hat

1908 · Galeria Nacional de Arte

Round Dance, Emil Nolde, 1909

Round Dance

1909 · Galeria Nacional de Arte

Evening Glow, Emil Nolde, 1915

Evening Glow

1915 · Instituto de Artes de Minneapolis

Nadveren, Emil Nolde, 1909

Nadveren

1909 · Museu Nacional de Arte da Dinamarca

Barn og stor fugl, Emil Nolde, 1912

Barn og stor fugl

1912 · Museu Nacional de Arte da Dinamarca

Smeden, Emil Nolde, 1912

Smeden

1912 · Museu Nacional de Arte da Dinamarca

Frysende russere, Emil Nolde, 1914

Frysende russere

1914 · Museu Nacional de Arte da Dinamarca

Røvere på Bombüll, Emil Nolde, 1917

Røvere på Bombüll

1917 · Museu Nacional de Arte da Dinamarca

Vizinhas de sala: Museu de Arte Moderna

Página do museu
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

A Noite Estrelada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950