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  1. Coleção/
  2. Museu Smithsoniano de Arte Americana/
  3. Salome
Salome, Henry Ossawa Tanner, ca. 1900
Henry Ossawa Tanner, retratoHenry Ossawa TannerEstados Unidos, 1859–1937

Salome

ca. 1900 · Painting · 116.5 × 89.4 cm

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Desconhecido

Museu Smithsoniano de Arte Americana

Washington, D.C., Estados Unidos

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Sobre a pintura

Salomé is a painting by Henry Ossawa Tanner, showing the princess Salome from the Bible, who danced before her stepfather Herod Antipas, and who demanded the head of John the Baptist as a reward for her performance. Tanner painted Salome as part of his Christian-themed paintings.

The painting was unusual for Tanner, a "marked departure for the usually reserved artist". Although he did draw nudes as part of his studies, few of his professional paintings feature nudity. This particular painting is even rarer for being perceived as erotic. In this work the eroticism is offset by the bloody head of John the Baptist. Further, Salome is herself decapitated in this painting by shadow.

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The work may have been influenced by the works of El Greco. Tanner and his wife Jessie spent several months in Granada in the beginning of 1903, where he had time to study El Greco's paintings. The result on some of his own paintings (including Salome) was his use of the "elongated figure style of El Greco".

The painting was admitted into the 1921 Paris Salon. The painting was also displayed in 1924, as part of a solo exhibition put on by Tanner at Grand Central Art Galleries in New York City.

The painting was dontated to the Smithsonian's Museum of African Art by Henry's son Jessy O. Tanner in 1975.

Wikipédia · CC BY-SA

Nas palavras do museu

Salome stands out from Henry Ossawa Tanner's other religious images, which are more conservative than this provocative painting. Salome's demand for the head of John the Baptist is one of the most lurid stories in the Bible. She dances for her stepfather, who rewards her beauty by giving her the prophet’s head on a platter. Here, Tanner presented Salome in a revealing gown, emphasizing her sensuality. The yellow shape in the lower left of the image, marked with red paint, suggests the corpse of John the Baptist.

Museu Smithsoniano de Arte Americana

Pormenores

ca. 1900
18591937
Número de inventário
1983.95.207A

O que mostra

SalomeReligionBible, N.T.

No catálogo

PinturasÓleoPintura norte-americanaImpressionismoModernismoSéculo XX

Fontes

  • Museu Smithsoniano de Arte Americana
  • Imagem: Museu Smithsoniano de Arte Americana — CC0

Mais obras de Henry Ossawa Tanner

Todas as obras
Flight Into Egypt, Henry Ossawa Tanner, 1923

Flight Into Egypt

1923 · Museu Metropolitano de Arte

Study for "Christ at the Home of Lazarus", Henry Ossawa Tanner

Study for "Christ at the Home of Lazarus"

Museu Metropolitano de Arte

The Seine, Henry Ossawa Tanner, c. 1902

The Seine

c. 1902 · Galeria Nacional de Arte

The Two Disciples at the Tomb, Henry Ossawa Tanner, c. 1906

The Two Disciples at the Tomb

c. 1906 · Art Institute of Chicago

Mother of Henry O. Tanner, Henry Ossawa Tanner, n.d.

Mother of Henry O. Tanner

n.d. · Museu Smithsoniano de Arte Americana

Head of a Woman in Jerusalem, Henry Ossawa Tanner, n.d.

Head of a Woman in Jerusalem

n.d. · Museu Smithsoniano de Arte Americana

Portrait of Mr. and Mrs. Atherton Curtis with Still Life, Henry Ossawa Tanner, n.d.

Portrait of Mr. and Mrs. Atherton Curtis with Still Life

n.d. · Museu Smithsoniano de Arte Americana

Scene of Algiers, Henry Ossawa Tanner, n.d.

Scene of Algiers

n.d. · Museu Smithsoniano de Arte Americana

Vizinhas de sala: Museu Smithsoniano de Arte Americana

Página do museu
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940

Unidentified

Fish Decoy, ca. 1940

(Lobster on Black Background), Marsden Hartley, 1940-1941

Marsden Hartley

(Lobster on Black Background), 1940-1941

May Snow, Torvald Arnst Hoyer, 1937

Torvalt Arnt Hoyer

May Snow, 1937

San Diego Mission, Josephine Joy, ca. 1935-1939

Josephine Joy

San Diego Mission, ca. 1935-1939

Industry, Arthur Durston, 1934

Arthur Durston

Industry, 1934

Employment of Negroes in Agriculture, Earle Richardson, 1934

Earle Richardson

Employment of Negroes in Agriculture, 1934

Sobre o mesmo tema · Salome

Todas as obras sobre o tema
Salome with the Head of John the Baptist, Gustave Moreau, ca. 1876

Gustave Moreau

Salome with the Head of John the Baptist, ca. 1876

Museu Metropolitano de Arte

Salome, Lovis Corinth, 1916

Lovis Corinth

Salome, 1916

Não exposta · Galeria Nacional de Arte

The Feast of Herod and the Beheading of Saint John the Baptist, Benozzo Gozzoli, 1461-1462

Benozzo Gozzoli

The Feast of Herod and the Beheading of Saint John the Baptist, 1461-1462

Galeria Nacional de Arte

Salome, Hans Baldung Grien, c. 1511/1512

Hans Baldung Grien

Salome, c. 1511/1512

Não exposta · Galeria Nacional de Arte

Die Tochter der Herodias, Carlo Dolci, 1665–1670

Carlo Dolci

Die Tochter der Herodias, 1665–1670

Pinacoteca dos Mestres Antigos

The Martyrdom of Saint John the Baptist, Bernard van Orley, ca. 1514–15

Bernard van Orley

The Martyrdom of Saint John the Baptist, ca. 1514–15

Museu Metropolitano de Arte

Salome with the Head of Saint John the Baptist, Andrea Solario, ca. 1507–9

Andrea Solario

Salome with the Head of Saint John the Baptist, ca. 1507–9

Museu Metropolitano de Arte

Der Ball der Herodias, Israhel van Meckenem, 1470–1480

Israhel van Meckenem

Der Ball der Herodias, 1470–1480

Herzog Anton Ulrich-Museum