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  2. Museu Vitória e Alberto/
  3. Rydal Bridge, Westmoreland
Rydal Bridge, Westmoreland, John Rathbone, ca. 1800
JJohn Rathbone

Rydal Bridge, Westmoreland

ca. 1800 · Oil painting · 44.4 × 59.7 cm

Sobre a pintura

Object Type

Oil paintings of Romantic scenery steadily increased in popularity after the beginning of the 19th century. The influence of the Lake poets, chiefly William Wordsworth, increased the demand for pictures of the unspoilt scenery of the Lake District.

Subjects Depicted

The view is of Pelter Bridge, near Rydal Hall and Rydal Mount, just north of Ambleside and Lake Windermere. The wild scenery and the bridge's picturesque decay reflects the developing cult of the Picturesque, and most tourists to the Lake District over the next few decades would explore this area. Wordsworth, who was born in Cumbria, eventually settled at Rydal Mount in 1813, remaining there until his death in 1850.

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Rathbone exhibited Lake District subjects almost throughout his career at the Royal Academy from 1785 to 1801. The paintings of Richard Wilson (?1713-1782) had obviously influenced him, for, like other artists of the time, he adapted some of the characteristics deployed by Wilson and other painters of the Italian countryside for his own works undertaken in Britain.

Museu Vitória e Alberto

Pormenores

Número de inventário
DYCE.56

Mais obras de John Rathbone

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Na mesma sala · British Galleries, Room 120, The Wolfson Galleries, Museu Vitória e Alberto

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Museu Vitória e Alberto

Londres, Reino Unido

SalaBritish Galleries, Room 120, The Wolfson Galleries

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PinturasÓleoPintura britânicaNeoclassicismoRomantismoSéculo XIXBritish School

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Landscape with wagon and figures, John Rathbone, ca. 1770-1807

Landscape with wagon and figures

ca. 1770-1807 · Não exposta · Museu Vitória e Alberto

Landscape with Fisherman and Washerwoman, John Rathbone, 1790/1800

Landscape with Fisherman and Washerwoman

1790/1800 · Não exposta · Art Institute of Chicago

Landscape with Figures Crossing a Bridge, John Rathbone, 1790/1800

Landscape with Figures Crossing a Bridge

1790/1800 · Não exposta · Art Institute of Chicago

Queen Katherine and Patience, Charles Robert Leslie, 1842

Charles Robert Leslie

Queen Katherine and Patience, 1842

The Antiquary's Cell, Edward William Cooke, 1835

Edward William Cooke

The Antiquary's Cell, 1835

Bashaw, 'the faithful friend of man', workshop of Matthew Cotes Wyatt, ca. 1832 - ca. 1834

workshop of Matthew Cotes Wyatt

Bashaw, 'the faithful friend of man', ca. 1832 - ca. 1834

George IV, Samuel Joseph, 1831

Samuel Joseph

George IV, 1831

George IV, J. Cave, 1830

J. Cave

George IV, 1830

Figure group, Etienne-Maurice Falconet, 1830-1835

Etienne-Maurice Falconet

Figure group, 1830-1835

View on the Scheldt, Clarkson Frederick Stanfield, 1826

William Clarkson Stanfield

View on the Scheldt, 1826

Relief, Peter Rouw the younger, 1822

Peter Rouw the younger

Relief, 1822