ART WIKI
Ronald Regan, Bill Owens, 1972
Bill OwensEstados Unidos, 1938

Ronald Regan

1972 · Photograph

Será possível contemplá-la?

De momento, não recebe

Museu de Arte Moderna

Nova Iorque, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
Fonte
O museu
No mapaPágina do museu

Pormenores

Número de inventário
348.1976

No catálogo

FotografiasProva de gelatina e prataArte do pós-guerraSéculo XX

Fontes

Mais obras de Bill Owens

Todas as obras
Nursery Scholarship Fund has with a handful of women each year raised $8000 to send 40 children from disadvantaged homes to nursery school. Women's liberation generates volunteer labor, but there isn't enough money to pay for what needs to be done in the community. Tri-Valley Area, Northern California, Bill Owens, 1969–75

Nursery Scholarship Fund has with a handful of women each year raised $8000 to send 40 children from disadvantaged homes to nursery school. Women's liberation generates volunteer labor, but there isn't enough money to pay for what needs to be done in the community. Tri-Valley Area, Northern California

1969–75 · Instituto de Artes de Minneapolis

I'm a mother and a waitress. I enjoy what I'm doing but wouldn't want to do it for a lifetime. I'm divorced and find it difficult to meet men who want to have a relationship. Someday I'd like to go back to school., Bill Owens, 1976 (printed later)

I'm a mother and a waitress. I enjoy what I'm doing but wouldn't want to do it for a lifetime. I'm divorced and find it difficult to meet men who want to have a relationship. Someday I'd like to go back to school.

1976 (printed later) · Instituto de Artes de Minneapolis

Untitled, Bill Owens, 1970

Untitled

1970 · Não exposta · Museu de Arte Moderna

We really enjoy getting together with our friends to drink and dance. It's a wild party and we're having a great time., Bill Owens, 1971

We really enjoy getting together with our friends to drink and dance. It's a wild party and we're having a great time.

1971 · Não exposta · Museu de Arte Moderna

I find a sense of freedom in the suburbs…. You assume the mask of suburbia for outward appearances and yet no one knows what you really do., Bill Owens, 1971

I find a sense of freedom in the suburbs…. You assume the mask of suburbia for outward appearances and yet no one knows what you really do.

1971 · Não exposta · Museu de Arte Moderna

Some days when there is no one to play with I build Glenn a tent play house out of two chairs and two blankets., Bill Owens, 1971

Some days when there is no one to play with I build Glenn a tent play house out of two chairs and two blankets.

1971 · Não exposta · Museu de Arte Moderna

We feel most people have the wrong attitude about sex, that it's nasty and to be only in the dark. With us sex takes care of itself., Bill Owens, 1971

We feel most people have the wrong attitude about sex, that it's nasty and to be only in the dark. With us sex takes care of itself.

1971 · Não exposta · Museu de Arte Moderna

I get a lot of compliments on the front room wall. I like Italian Syrocco floral designs over the mantle. It goes with the Palos Verde rock fireplace., Bill Owens, 1972

I get a lot of compliments on the front room wall. I like Italian Syrocco floral designs over the mantle. It goes with the Palos Verde rock fireplace.

1972 · Não exposta · Museu de Arte Moderna

No mesmo museu: Museu de Arte Moderna

Página do museu
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, 1889

Vincent van Gogh

A Noite Estrelada, 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950