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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Robert E. Lee
Robert E. Lee, Adam B. Walter, 1870
AAdam B. WalterEstados Unidos

Robert E. Lee

1870 · Print

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Desconhecido

NPG
National Portrait Gallery

Washington, D.C., Estados Unidos

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
5 de out. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

Número de inventário
NPG.2008.105

O que mostra

American Civil War (1861-1865)MustachesRetratoFacial HairConfederate ArmyCivil War, 1861-1865Military and IntelligenceHomem

No catálogo

GravurasMezzotintaRealismoImpressionismoSéculo XIX

Fontes

  • National Portrait Gallery
  • Imagem: National Portrait Gallery — National Portrait Gallery, Smithsonian Institution (CC0)

Mais obras de Adam B. Walter

Todas as obras
John P. Wetherill, Adam B. Walter, 19th century

John P. Wetherill

19th century · Não exposta · Harvard Art Museums

George Washington, Adam B. Walter, c. 1848-60

George Washington

c. 1848-60 · National Portrait Gallery

William Sandford Pennington Jr., Adam B. Walter, c. 1860-62

William Sandford Pennington Jr.

c. 1860-62 · National Portrait Gallery

Edward Baker, Adam B. Walter, after 1861

Edward Baker

after 1861 · National Portrait Gallery

Upupa Epops, Adam B. Walter, 1862–73 ?

Upupa Epops

1862–73 ? · Não exposta · Instituto de Artes de Minneapolis

Stonewall Jackson, Adam B. Walter, c. 1862-65

Stonewall Jackson

c. 1862-65 · National Portrait Gallery

Stonewall Jackson, Adam B. Walter, c. 1862

Stonewall Jackson

c. 1862 · National Portrait Gallery

George Brinton McClellan, Adam B. Walter, 1863

George Brinton McClellan

1863 · National Portrait Gallery

Vizinhas de sala: National Portrait Gallery

Página do museu
Robert F. Kennedy, Gardner Cox, 1968

Gardner Cox

Robert F. Kennedy, 1968

Babe Ruth, Paolo Garretto, 1929

Paolo Garretto

Babe Ruth, 1929

Alice Dunbar Nelson, Laura Wheeler Waring, 1927

Laura Wheeler Waring

Alice Dunbar Nelson, 1927

Pauline Morton Sabin, Philip Alexius de László, 1926

Philip Alexius de László

Pauline Morton Sabin, 1926

Adolph Ochs, Philip Alexius de László, 1926

Philip Alexius de László

Adolph Ochs, 1926

Samuel Gompers, Moses Wainer Dykaar, 1924

Moses Wainer Dykaar

Samuel Gompers, 1924

Alexander Graham Bell, Moses Wainer Dykaar, 1922

Moses Wainer Dykaar

Alexander Graham Bell, 1922

Lillian D. Wald, William Valentine Schevill, 1919

William Valentine Schevill

Lillian D. Wald, 1919

Sobre o mesmo tema · American Civil War (1861-1865)

Todas as obras sobre o tema
Lee Surrendering to Grant at Appomattox, Alonzo Chappel, ca. 1870

Alonzo Chappel

Lee Surrendering to Grant at Appomattox, ca. 1870

Museu Smithsoniano de Arte Americana

Private Adolph Zirsse, Successful Intermediate Excision of the Head and two and a half inches of the Shaft of the Right Humerus, from the Photographic Catalogue of the Surgical Section, William Bell, 1865

William Bell

Private Adolph Zirsse, Successful Intermediate Excision of the Head and two and a half inches of the Shaft of the Right Humerus, from the Photographic Catalogue of the Surgical Section, 1865

Museu Smithsoniano de Arte Americana

Reclining Civil War Soldier, Hines Portrait Company, ca. 1863

Hines Portrait Company

Reclining Civil War Soldier, ca. 1863

Museu Smithsoniano de Arte Americana

The Approach of the British Pirate "Alabama", from Harper's Weekly, April 25, 1863, Winslow Homer, 1863

Winslow Homer

The Approach of the British Pirate "Alabama", from Harper's Weekly, April 25, 1863, 1863

Museu Smithsoniano de Arte Americana

News from the War, from Harper's Weekly, June 14, 1862, Winslow Homer, 1862

Winslow Homer

News from the War, from Harper's Weekly, June 14, 1862, 1862

Museu Smithsoniano de Arte Americana

Rebels Outside Their Works at Yorktown Reconnoitring (sic) with Dark Lanterns, from Harper's Weekly, May 17, 1862, Winslow Homer, 1862

Winslow Homer

Rebels Outside Their Works at Yorktown Reconnoitring (sic) with Dark Lanterns, from Harper's Weekly, May 17, 1862, 1862

Museu Smithsoniano de Arte Americana

Winter-quarters in Camp--The inside of a Hut, from Harper's Weekly, January 24, 1863, Winslow Homer, 1863

Winslow Homer

Winter-quarters in Camp--The inside of a Hut, from Harper's Weekly, January 24, 1863, 1863

Museu Smithsoniano de Arte Americana

Battle of Antietam--Burnside's Division, Left Wing--Brilliant and Decisive Bayonet Charge of Hawkins's Zouaves, Colonel Kimball on the Rebel Battery on the Hill, Right Bank of the Antietam Creek near Sharpsburg, on the Afternoon of September 17--Utter Rout of the Rebels. From a Sketch by Our Special Artist, Mr. Edwin Forbes., Edwin Forbes, 1862

Edwin Forbes

Battle of Antietam--Burnside's Division, Left Wing--Brilliant and Decisive Bayonet Charge of Hawkins's Zouaves, Colonel Kimball on the Rebel Battery on the Hill, Right Bank of the Antietam Creek near Sharpsburg, on the Afternoon of September 17--Utter Rout of the Rebels. From a Sketch by Our Special Artist, Mr. Edwin Forbes., 1862

Museu Smithsoniano de Arte Americana