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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. [Riverscape]
[Riverscape], Roger Fenton, 1850s
Roger Fenton, retratoRoger FentonReino Unido, 1819–1869

[Riverscape]

1850s · Photograph · 26.8 × 28.6 cm

Será possível contemplá-la?

De momento, não recebe

MJP
Museu J. Paul Getty

Los Angeles, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 23 horas
Neste estado desde
7 de out. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1850s
18191869
Número de inventário
84.XM.915.1

No catálogo

FotografiasPapel salgadoRealismoSéculo XIXInglaterra

Fontes

  • Museu J. Paul Getty
  • Imagem: Museu J. Paul Getty — Open Content

Entretanto, na vida de Roger Fenton

A vida inteira
  1. 1851

    The Great Exhibition in Hyde Park: discovering photography

    Fenton visits the Great Exhibition in Hyde Park and is impressed by the photography on display; the new technique grips him so keenly that within a year he begins exhibiting his own photographs.

  2. 1853

    Founding the London Photographic Society

    Fenton becomes a founder and first secretary of the London Photographic Society, later the Royal Photographic Society under the patronage of Prince Albert.

  3. 1854

    Commissioned to document the Crimean War

    Probably in autumn 1854, powerful friends and patrons — among them Prince Albert and the Duke of Newcastle, Secretary of State for War — urge Fenton to go to the Crimea; the London print publisher Thomas Agnew & Sons becomes his commercial sponsor. The photographs may have been meant to offset the war's unpopularity and to counter the critical reporting of William Howard Russell of The Times: they were to be converted into woodblocks for the less critical Illustrated London News.

  4. 1855

    Cholera, heat and broken ribs in the Crimea

    Despite the summer heat, breaking several ribs in a fall, suffering from cholera (the effects of which will contribute to his early death) and becoming depressed at the carnage he witnesses at Sevastopol, Fenton manages to make more than 350 usable large-format negatives.

  5. c. 1855

    An exhibition of 312 prints

    Soon after his return an exhibition of 312 prints goes on show in London, and in the following months at various places across the country; Fenton also shows them to Queen Victoria and Prince Albert and to Emperor Napoleon III in Paris. He is nevertheless disappointed that sales are less than he expected.

  6. 8 March – 22 June 1855

    Fenton at Balaklava

    Fenton sets off aboard HMS Hecla in February, lands at Balaklava on 8 March and stays until 22 June, taking Marcus Sparling as his photographic assistant, a servant known as William, and a large horse-drawn van of equipment.

Mais obras de Roger Fenton

Todas as obras
Omar Pasha, Roger Fenton, 1855

Omar Pasha

1855 · Museu Metropolitano de Arte

Windermere, Roger Fenton, 1850s

Windermere

1850s · Não exposta · Galeria Nacional de Arte

Westgevel met portaal van de kathedraal te Wells, Roger Fenton, c. 1850 - c. 1870

Westgevel met portaal van de kathedraal te Wells

c. 1850 - c. 1870 · Museu Estatal de Amesterdão

Peterborough, The West Front, Roger Fenton, 1850s

Peterborough, The West Front

1850s · Não exposta · Museu de Arte Moderna

Moscow, Domes of Churches in the Kremlin, Roger Fenton, 1852

Moscow, Domes of Churches in the Kremlin

1852 · Não exposta · Galeria Nacional de Arte

Studioportret van een onbekende jongen, Roger Fenton, 1852 - 1862

Studioportret van een onbekende jongen

1852 - 1862 · Museu Estatal de Amesterdão

Gezicht op de ruïne van de Abdij van Furness, Roger Fenton, c. 1852 - in or before 1862

Gezicht op de ruïne van de Abdij van Furness

c. 1852 - in or before 1862 · Museu Estatal de Amesterdão

Interieur van de ruïne van de Abdij van Furness, Roger Fenton, c. 1852 - in or before 1862

Interieur van de ruïne van de Abdij van Furness

c. 1852 - in or before 1862 · Museu Estatal de Amesterdão

Vizinhas de sala: Museu J. Paul Getty

Página do museu
Irises, Vincent van Gogh, 1889

Vincent van Gogh

Lírios, 1889

The Portal of Rouen Cathedral in Morning Light, Claude Monet, 1894

Claude Monet

The Portal of Rouen Cathedral in Morning Light, 1894

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), Claude Monet, 1891

Claude Monet

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), 1891

Sunrise (Marine), Claude Monet, 1872 or 1873

Claude Monet

Sunrise (Marine), 1872 or 1873

Still Life with Flowers and Fruit, Claude Monet, 1869

Claude Monet

Still Life with Flowers and Fruit, 1869

Saint Bartholomew, Rembrandt Harmensz. van Rijn, 1661

Rembrandt van Rijn

Saint Bartholomew, 1661

Daniel and Cyrus Before the Idol Bel, Rembrandt Harmensz. van Rijn, 1633

Rembrandt van Rijn

Daniel and Cyrus Before the Idol Bel, 1633

The Abduction of Europa, Rembrandt Harmensz. van Rijn, 1632

Rembrandt van Rijn

O Rapto de Europa, 1632