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  1. Coleção/
  2. Harvard Art Museums/
  3. Richard von Kühlmann
Richard von Kühlmann, Max Liebermann, 1920
Max Liebermann, retratoMax LiebermannAlemanha, 1847–1935

Richard von Kühlmann

1920 · Print

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Harvard Art Museums

Cambridge, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 9 dias
Neste estado desde
27 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1920 · aos 73 anos
18471935
Número de inventário
M15538

No catálogo

GravurasÁgua-forteModernismoSéculo XXAlemanha

Fontes

  • Harvard Art Museums
  • Imagem: Harvard Art Museums — © President and Fellows of Harvard College

Entretanto, na vida de Max Liebermann

A vida inteira
  1. 18 January 1918

    The Max Liebermann Cabinet opens at the National Gallery

    The cabinet promised by the director Ludwig Justi opened on 18 January; the Minister of Education, Friedrich Schmidt-Ott, gave the inauguration speech.

  2. 1918

    The November Revolution: machine guns in his house

    Monarchists installed machine guns in Liebermann's house on Pariser Platz, so revolutionary soldiers stormed the palace; when a bullet passed through the wall into the drawing room, the defenders surrendered. Liebermann brought his valuable picture collection to safety and moved with his wife into their daughter's house for a few weeks.

  3. 1920

    Elected president of the Academy of Arts

    After the war and revolution Liebermann took over the Academy and tried to unite the various currents beneath its roof, Expressionism included: under him Max Pechstein, Karl Hofer, Heinrich Zille, Otto Dix and Karl Schmidt-Rottluff were admitted. He gave it a democratic structure and a free system of education.

  4. 1920s

    Defends Otto Dix's “Trench”

    Liebermann supported Dix's emotional depiction of the horror of the world war, which was accused of being tendentious, calling it one of the most important works of the post-war period. At the same time, despite his basically tolerant views, he polemicized against Ludwig Justi, who brought Expressionists to the National Gallery.

  5. 1922

    The murder of Walther Rathenau

    The murder of his relative and companion by right-wing activists deeply disturbed Liebermann. Around then he produced lithographs for Heinrich Heine's “Rabbi von Bacharach”, numerous paintings of his garden, and drawings in memory of fallen Jewish soldiers at the front.

Mais obras de Max Liebermann

Todas as obras
The Ropewalk in Edam, Max Liebermann, 1904

The Ropewalk in Edam

1904 · Museu Metropolitano de Arte

Dutch Village Scene with Hanging Laundry, Max Liebermann, 1890

Dutch Village Scene with Hanging Laundry

1890 · Harvard Art Museums

Self-Portrait, Max Liebermann

Self-Portrait

Não exposta · Galeria Nacional de Arte

Hyman Marzynski, Max Liebermann

Hyman Marzynski

Não exposta · Galeria Nacional de Arte

Cafe, Max Liebermann

Cafe

Não exposta · Galeria Nacional de Arte

Portrait of a Man, Max Liebermann

Portrait of a Man

Não exposta · Galeria Nacional de Arte

Karl Legien, Max Liebermann

Karl Legien

Não exposta · Galeria Nacional de Arte

Portrait, Max Liebermann

Portrait

Não exposta · Galeria Nacional de Arte

Vizinhas de sala: Harvard Art Museums

Página do museu
Glück auf in Deutschland (N:4), Pınar Öğrenci, 2024

Pınar Öğrenci

Glück auf in Deutschland (N:4), 2024

Glück auf in Deutschland (N:10), Pınar Öğrenci, 2024

Pınar Öğrenci

Glück auf in Deutschland (N:10), 2024

Glück auf in Deutschland (N:7b), Pınar Öğrenci, 2024

Pınar Öğrenci

Glück auf in Deutschland (N:7b), 2024

Glück auf in Deutschland (N:6), Pınar Öğrenci, 2024

Pınar Öğrenci

Glück auf in Deutschland (N:6), 2024

Glück auf in Deutschland (N:11), Pınar Öğrenci, 2024

Pınar Öğrenci

Glück auf in Deutschland (N:11), 2024

Dwarpalika (Temple Guardian), Sneha Shrestha, 2023

Sneha Shrestha

Dwarpalika (Temple Guardian), 2023

The Eternal Pond of the Universe, Bingyi 冰逸, 2022-2024

Bingyi 冰逸

The Eternal Pond of the Universe, 2022-2024

Triangle Constellation, Carlos Amorales, 2015

Carlos Amorales

Triangle Constellation, 2015