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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Museu Estatal de Amesterdão/
  3. Rechteronderarm
Rechteronderarm, Anthony van Dyck, 1610 - 1641
Anthony van Dyck, retratoAnthony van DyckFlandres, 1599–1641

Rechteronderarm

1610 - 1641 · Drawing

Será possível contemplá-la?

Desconhecido

Museu Estatal de Amesterdão

Amesterdão, Países Baixos

O proprietário é conhecido; não se sabe se hoje está exposta.

Fonte
O museu
No mapaPágina do museu

Pormenores

1610 - 1641
15991641
Número de inventário
RP-T-00-426(R)

O que mostra

Arms

No catálogo

Desenhos e aguarelasGizBarrocoSéculo XVII

Fontes

  • Museu Estatal de Amesterdão
  • Imagem: Museu Estatal de Amesterdão — public domain

Entretanto, na vida de Anthony van Dyck

A vida inteira
  1. from 1617

    Beginning of Work with Rubens

    From 1617 Van Dyck collaborated for a long period with Peter Paul Rubens, whose pupil he became, giving up his independent workshop; Rubens spoke of him as his best pupil.

  2. October 1620

    First Trip to London to the Court of James I

    In October 1620, at the age of twenty-one, Van Dyck moved to London to the court of King James I at the urging of the Duke of Buckingham and the Earl of Arundel; he received an annual pension of one hundred pounds sterling from the king.

  3. 20 November 1621

    Departure for Italy, Arrival in Genoa

    In 1621 Van Dyck decided to go to Italy; Rubens supplied him with funds and letters of introduction. On 20 November 1621 he arrived in Genoa and remained in Italy for six years, where his fame as a portraitist was consolidated.

  4. 5 July 1632

    Principal Painter to King Charles I

    On 5 July 1632 Charles I officially appointed Van Dyck principal painter to the king, guaranteeing an annual income of two hundred pounds sterling; the king gave him a large house with a garden on the banks of the Thames.

  5. 27 de fevereiro de 1640

    Married: Mary Ruthven

  6. 9 de dezembro de 1641

    Died

Mais obras de Anthony van Dyck

Todas as obras
The Betrayal of Christ, Anthony van Dyck, c. 1618–20

The Betrayal of Christ

c. 1618–20 · Instituto de Artes de Minneapolis

Lucas van Uffel (died 1637), Anthony van Dyck, ca. 1622

Lucas van Uffel (died 1637)

ca. 1622 · Museu Metropolitano de Arte

Queen Henrietta Maria, Anthony van Dyck, 1636

Queen Henrietta Maria

1636 · Museu Metropolitano de Arte

Maria Stuart en Willem II, Anthony van Dyck, 1641

Maria Stuart en Willem II

1641 · Museu Estatal de Amesterdão

Rest on the Flight into Egypt (Madonna with Partridges), Anthony van Dyck, 17th century

Rest on the Flight into Egypt (Madonna with Partridges)

17th century · Hermitage

Two Tritons at the Feast of Acheloüs, Anthony van Dyck

Two Tritons at the Feast of Acheloüs

Museu Metropolitano de Arte

Le Christ mort pleuré par la Vierge et des anges, Dyck, Antoon van, XVIIe siècle (1600 - 1700)

Le Christ mort pleuré par la Vierge et des anges

XVIIe siècle (1600 - 1700) · Museu do Louvre

Portrait d'Ann Carr, Lady Russel, comtesse de Bedford (1615-1684), Dyck, Antoon van, XVIIe siècle (1600 - 1700)

Portrait d'Ann Carr, Lady Russel, comtesse de Bedford (1615-1684)

XVIIe siècle (1600 - 1700) · Museu do Louvre

Vizinhas de sala: Museu Estatal de Amesterdão

Página do museu
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

A Ronda Nocturna, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Ponte de Pedra, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634