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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Museu Estatal de Amesterdão/
  3. Prudentia
Prudentia, Alessandro Allori, 1570 - 1582

Prudentia

1570 - 1582 · Drawing

Pormenores

1570 - 1582
15351607
Número de inventário
RP-T-1887-A-1401

Entretanto, na vida de Alessandro Allori

A vida inteira
  1. 1572

    Bronzino's death and the signature “Bronzino”

    After the death of his teacher Agnolo Bronzino he begins to sign his works in his honor — “Alessandro Bronzino” or “Alessandro Bronzino Allori” (Sandrino for short) — which is why he is often confused with Agnolo Bronzino himself; later his son Cristofano also sometimes uses the name Bronzino.

  2. 1573

    First Consul of the Accademia del Disegno

    In 1573 he serves as First Consul of the Accademia del Disegno. In the prime of his career he heads one of the two most important workshops in Florence of the second half of the 16th century; the other was led by Santi di Tito.

  3. 1576 or 1581

    Head of the Medici tapestry workshop

    Becomes head of the Arazzeria Medicea, Florence's state-owned tapestry workshop, and designs many cartoons for woven tapestries himself; by one account this happens in 1576, by another in 1581.

  4. 17 de outubro de 1577

    Son born: Cristofano Allori

  5. from 1580

    Working with Butteri at Badia a Passignano

    From 1580 he works together with Giovanni Maria Butteri at Badia a Passignano.

Mais obras de Alessandro Allori

Todas as obras

Vizinhas de sala: Museu Estatal de Amesterdão

Página do museu

Sobre o mesmo tema · Prudenza' (Ripa) ~ one of the Four Cardinal Virtues

Todas as obras sobre o tema
Alessandro Allori, retratoAlessandro AlloriItália, 1535–1607

Será possível contemplá-la?

Desconhecido

Museu Estatal de Amesterdão

Amesterdão, Países Baixos

O proprietário é conhecido; não se sabe se hoje está exposta.

Fonte
O museu
No mapaPágina do museu

O que mostra

Prudence, 'PrudentiaPrudenza' (Ripa) ~ one of the Four Cardinal Virtues

No catálogo

Desenhos e aguarelasGizRenascimentoSéculo XVI

Fontes

  • Museu Estatal de Amesterdão
  • Imagem: Museu Estatal de Amesterdão — public domain
Allegory of the Christian Church, Alessandro Allori, 1600s

Allegory of the Christian Church

1600s · Hermitage

Francesco de' Medici, Alessandro Allori, c. 1560

Francesco de' Medici

c. 1560 · Art Institute of Chicago

Allegorical Portrait of a Young Man in the Guise of Mercury Slaying Argus, Alessandro Allori, 1575-1580

Allegorical Portrait of a Young Man in the Guise of Mercury Slaying Argus

1575-1580 · Harvard Art Museums

Sacrifice of Abraham, Alessandro Allori

Sacrifice of Abraham

Não exposta · Galeria Nacional de Arte

Head of a Youth, Alessandro Allori

Head of a Youth

Não exposta · Galeria Nacional de Arte

Le Temps, Vénus et l'Amour et deux autres figures, Allori, Alessandro

Le Temps, Vénus et l'Amour et deux autres figures

Museu do Louvre

Der Raub der Proserpina, Alessandro Allori

Der Raub der Proserpina

Albertina

Die Hochzeit von Kana. (In der Mitte Durchblick auf einen Brunnen mit zwei Säulen, aus dem Diener Wasser ziehen), Alessandro Allori

Die Hochzeit von Kana. (In der Mitte Durchblick auf einen Brunnen mit zwei Säulen, aus dem Diener Wasser ziehen)

Albertina

Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

A Ronda Nocturna, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Ponte de Pedra, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634

Het wapen van Van der Linden, Jacques Jordaens, 1630 - 1635

Jacques Jordaens

Het wapen van Van der Linden, 1630 - 1635

Museu Estatal de Amesterdão

Prudence, Artus Quellinus, 1650 - 1651

Artus Quellinus

Prudence, 1650 - 1651

Museu Estatal de Amesterdão

Praalgraf van Jacob, baron van Wassenaer in de Grote Kerk in Den Haag, anonymous, 1730 - 1736

anonymous

Praalgraf van Jacob, baron van Wassenaer in de Grote Kerk in Den Haag, 1730 - 1736

Museu Estatal de Amesterdão

Personificatie van de Wiskunde, anonymous, 1640 - 1648

anonymous

Personificatie van de Wiskunde, 1640 - 1648

Museu Estatal de Amesterdão

Titelprent voor het pamflet Toneel der Arminianen, 1618, anonymous, 1618

anonymous

Titelprent voor het pamflet Toneel der Arminianen, 1618, 1618

Museu Estatal de Amesterdão

Petrus, Paulus, Voorzichtigheid en Rechtvaardigheid, anonymous, 1605

anonymous

Petrus, Paulus, Voorzichtigheid en Rechtvaardigheid, 1605

Museu Estatal de Amesterdão

Portret van Caspar Klock op 50-jarige leeftijd, anonymous, 1634

anonymous

Portret van Caspar Klock op 50-jarige leeftijd, 1634

Museu Estatal de Amesterdão

Christus als Man van Smarten geflankeerd door Voorzichtigheid en Rechtvaardigheid, anonymous, 1601 - 1652

anonymous

Christus als Man van Smarten geflankeerd door Voorzichtigheid en Rechtvaardigheid, 1601 - 1652

Museu Estatal de Amesterdão