Utagawa KunisadaJapão, 1786–1865Prinses Shokushi
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Amesterdão, Países Baixos
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- Fonte
- O museu
Sobre a obra
Nas palavras do museu — em holandês
Hisamatsu kijkt vanuit het raam naar zijn geliefde Osome, zittend op de veranda met hun afscheidsbrief in haar hand. Scene uit een kabukitoneelstuk. Gedicht door prinses Shokushi.
Museu Estatal de Amesterdão
Pormenores
- Número de inventário
- RP-P-2016-3-25
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Fontes
- Museu Estatal de Amesterdão
- Imagem: Museu Estatal de Amesterdão — public domain
Na vida de Utagawa Kunisada
A vida inteira1820–1860
Dominance in Sumo Wrestler Portraits
From 1820 to 1860 he dominated the market for printed portraits of sumo wrestlers.
1835–1850
Monopoly on Prints Based on "The Tale of Genji"
From 1835 to 1850 he held a near-total monopoly on the genre of prints connected with "The Tale of Genji"; only after 1850 did other artists begin producing similar sheets.
mid-1840s – early 1850s
Collaboration with Hiroshige and Kuniyoshi
From the mid-1840s to the early 1850s he collaborated with Hiroshige and Kuniyoshi on three large series and a number of smaller projects; the cooperation was in large part a show of solidarity against the tightened censorship of the Tenpō reforms.
