Jacques CallotFrança, 1592–1635Portret van de arts Charles Delorme
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Amesterdão, Países Baixos
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- O museu
Sobre a obra
Nas palavras do museu — em holandês
Ovaal busteportret van Charles Delorme, lijfarts van de koningen Hendrik IV en Lodewijk XIII van Frankrijk. Om het ovaal met de beeltenis een zeskantige ster en daaromheen een slang die in zijn eigen staart bijt. Dit geheel wordt vastgehouden door de takken van twee bomen. Linksboven een haan, rechtsboven een adelaar, rechtsonder een draak en linksonder een hond. Met Latijnse en Griekse teksten in banderollen, als randschriften en als onderschrift.
Museu Estatal de Amesterdão
Pormenores
- Número de inventário
- RP-P-OB-20.623
O que mostra
No catálogo
Fontes
- Museu Estatal de Amesterdão
- Imagem: Museu Estatal de Amesterdão — public domain
Na vida de Jacques Callot
A vida inteira1621–1635 · Local de trabalho
Nancy
1629–1630
Declines to serve Louis XIII
King Louis XIII of France offers Callot a place at his court, but the artist declines; by one account, as a patriot of Lorraine he could not forgive the king for the devastation of his homeland by French troops.
1629–1630
Lives and works in Paris
From 1629 Callot lives and works in Paris, where his clients include publishers, mostly Parisian; overall he is commissioned by the courts of Lorraine, France and Spain.
c. 1630
Meets Abraham Bosse
The meeting of the Parisian Abraham Bosse with Callot around 1630 makes Bosse his follower: he will later spread the master’s technical innovations across Europe in the first published manual of etching, translated into several languages.
