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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Plovers, Rocks, and Waves
Plovers, Rocks, and Waves, Suzuki Kiitsu, first half 19th century

Plovers, Rocks, and Waves

first half 19th century · Painting

Sobre a pintura

The motif of plovers (chidori), flying in a long row over the waves, or looking for food where the sea leaves a line of foam on the sand, has often inspired Japanese artists. This bird is an auspicious symbol associated with longevity because its cry, “chiyo, ” is a homonym for “one thousand generations.” The association of chidori with long life goes back as far as the early 10th century, appearing in the poetry anthology Kokinwakashū, and became a popular motif in various media such as ceramics, textiles, lacquer, and metalwork.

Instituto de Artes de Minneapolis

Pormenores

first half 19th century
17961858
Número de inventário
2013.30.4

Mais obras de Suzuki Kiitsu

Todas as obras

Na mesma sala · G219, Instituto de Artes de Minneapolis

Página do museu
SSuzuki KiitsuJapão, 1796–1858

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Instituto de Artes de Minneapolis

Minneapolis, Estados Unidos

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há 9 dias
Neste estado desde
25 de set. de 2026
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PinturasTintaPintura japonesaNeoclassicismoRomantismoSéculo XIXRinpaJapão

Fontes

  • Instituto de Artes de Minneapolis
  • Imagem: Instituto de Artes de Minneapolis — public domain
Mount Fuji and the Pines at Miho, Suzuki Kiitsu, ca. 1845-1858

Mount Fuji and the Pines at Miho

ca. 1845-1858 · Instituto de Artes de Minneapolis

Eight Fans of Seasonal Flowers and Plants, Suzuki Kiitsu 鈴木其一, c. 1828–58

Eight Fans of Seasonal Flowers and Plants

c. 1828–58 · Harvard Art Museums

Pink and White Lotus, Suzuki Kiitsu 鈴木其一, c. 1850-58

Pink and White Lotus

c. 1850-58 · Harvard Art Museums

Flowers and Bird, Suzuki Kiitsu, 18th century

Flowers and Bird

18th century · Não exposta · Instituto de Artes de Minneapolis

Waaierblad met een dichteres op een berg, Suzuki Kiitsu, 1800 - 1900

Waaierblad met een dichteres op een berg

1800 - 1900 · Museu Estatal de Amesterdão

Fish Trap, Waves, Rocks [one of a pair], Suzuki Kiitsu, first half 19th century

Fish Trap, Waves, Rocks [one of a pair]

first half 19th century · Não exposta · Instituto de Artes de Minneapolis

Mountains [center from the triptych Three Evening Scenes], Suzuki Kiitsu, first half 19th century

Mountains [center from the triptych Three Evening Scenes]

first half 19th century · Não exposta · Instituto de Artes de Minneapolis

Shō-Kannon, Suzuki Kiitsu, first half 19th century

Shō-Kannon

first half 19th century · Não exposta · Instituto de Artes de Minneapolis

Under the Holy Mountain, Saitō Bishū, 1988

Saitō Bishū

Under the Holy Mountain, 1988

Giving Birth (Large Brown Cicada), Kobayashi Senpo, 1979

Kobayashi Senpo

Giving Birth (Large Brown Cicada), 1979

Dutchman, one of the Southern Barbarians, Saitō Bishū, 1979

Saitō Bishū

Dutchman, one of the Southern Barbarians, 1979

Swan, Saitō Bishū, 1973

Saitō Bishū

Swan, 1973

Centaur, Saitō Bishū, 1970s–80s

Saitō Bishū

Centaur, 1970s–80s

Three Swans, Saitō Bishū, 1970s–80s

Saitō Bishū

Three Swans, 1970s–80s

Up in a Tree, Saitō Bishū, 1970s–80s

Saitō Bishū

Up in a Tree, 1970s–80s

Prey (Owl), Kobayashi Senpo, 1970s–80s

Kobayashi Senpo

Prey (Owl), 1970s–80s