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Onde está a obra-prima, e a que horas se abre a porta.

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  1. Coleção/
  2. Rostov Regional Fine Arts Museum/
  3. Пишущий мальчик
Пишущий мальчик, Antonio Canova, 1800-1825
Antonio Canova, retratoAntonio CanovaItália, 1757–1822

Пишущий мальчик

1800-1825 · Sculpture · 29.5 × 13 cm

Será possível contemplá-la?

Desconhecido

RRF
Rostov Regional Fine Arts Museum

Rostov do Don, Rússia

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
29 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

Número de inventário
С-48

Entretanto, na vida de Antonio Canova

A vida inteira
  1. 1800

    The most celebrated artist in Europe

    By 1800 Canova was the most celebrated artist in Europe. He promoted his reputation systematically — publishing engravings of his works and having marble versions of his plaster casts made in his workshop — and acquired patrons across Europe, from France, England, Russia, Austria and Holland, including members of several royal lineages.

  2. 1802

    Summoned to Paris to sculpt Napoleon’s bust

    Napoleon wanted a portrait by Canova, and in 1802 (by other accounts, already on 6 October 1801) the sculptor was summoned to France; he became one of the official artists of the Empire. Yet, deeply grieved by the removal of works of art to France, he returned to Italy in protest, despite Napoleon’s insistent demands that he stay in Paris for good.

  3. 1815

    Mission to Paris: bringing back the looted masterpieces

    In 1815 Pope Pius VII named Canova his Minister Plenipotentiary and tasked him with recovering works of art that Napoleon had taken to Paris. At the Louvre he met resistance from its director Vivant Denon and, because of the works’ size or unclear whereabouts, was forced to leave major pieces behind, among them Veronese’s “The Wedding at Cana”.

  4. 1816

    Marquis of Ischia and the “Golden Book”

    Returning to Rome in 1816 with some of the art Napoleon had taken, Canova was rewarded by the Pope with the title of Marquis of Ischia, inscription in the “Golden Book of Roman Nobles” (the Pope entered his name with his own hands) and an annual pension of 3,000 crowns.

Mais obras de Antonio Canova

Todas as obras

Da coleção: Rostov Regional Fine Arts Museum

Página do museu

11 July 1819

Lays the foundation stone of his own temple in Possagno

After his 1814 proposal for a statue of Religion in St Peter’s was rejected, Canova resolved to build his own temple: he designed and financed the building himself and partly built it, combining the Parthenon and the Pantheon. On 11 July 1819 he laid the foundation stone, dressed in a red papal uniform and wearing all his medals, and afterwards visited Possagno every autumn to direct the workmen.

  • 13 de outubro de 1822

    Died

  • No catálogo

    EsculturaMármoreNeoclassicismoRomantismoSéculo XIX

    Fontes

    • O Catálogo Estatal do Fundo Museológico da Rússia
    • Imagem: Rostov Regional Fine Arts Museum — © Ростовский областной музей изобразительных искусств · Госкаталог музейного фонда РФ
    Perseus with the Head of Medusa, Antonio Canova, 1804–6

    Perseus with the Head of Medusa

    1804–6 · Museu Metropolitano de Arte

    L'Amour et Psyché à demi couchée, Canova, Antonio, 1787 - 1793

    Psiquê revivida por um beijo do Amor

    1787 - 1793 · Museu do Louvre

    Cupid and Psyche, Antonio Canova, 1794

    Cupid and Psyche

    1794 · Museu Metropolitano de Arte

    Winged Victory, Antonio Canova, after the Antique, c. 1803/1806

    Winged Victory

    c. 1803/1806 · Galeria Nacional de Arte

    Dancer with Finger on Chin, Antonio Canova, model 1809/1814, carved 1819/1823

    Dancer with Finger on Chin

    model 1809/1814, carved 1819/1823 · Galeria Nacional de Arte

    Venus Italica, Antonio Canova, probably ca. 1822–23, variant of marble first executed 1810

    Venus Italica

    probably ca. 1822–23, variant of marble first executed 1810 · Museu Metropolitano de Arte

    Paris, Antonio Canova, ca. 1822–23, original marble version completed November 1812

    Paris

    ca. 1822–23, original marble version completed November 1812 · Museu Metropolitano de Arte

    Naiad, Antonio Canova, model 1815/1817, carved 1820/1823

    Naiad

    model 1815/1817, carved 1820/1823 · Galeria Nacional de Arte

    Март. Храм святой Елены и Константина в ст. Ессентукской, Igor Borisovich Khoronko, 2021

    Igor Borisovich Khoronko

    Март. Храм святой Елены и Константина в ст. Ессентукской, 2021

    Кумганы и гранаты, Aleksandr Mikhaylovich Rubets, 2021

    Aleksandr Mikhaylovich Rubets

    Кумганы и гранаты, 2021

    Кубачинские кумганы, Aleksandr Mikhaylovich Rubets, 2021

    Aleksandr Mikhaylovich Rubets

    Кубачинские кумганы, 2021

    Вечер в Домбае, Igor Borisovich Khoronko, 2020

    Igor Borisovich Khoronko

    Вечер в Домбае, 2020

    Пятигорск, улица Дзержинского, Aleksandr Mikhaylovich Rubets, 2020

    Aleksandr Mikhaylovich Rubets

    Пятигорск, улица Дзержинского, 2020

    Первоцвет, Khashkhayan Khristofor Ilich, 2020

    Khashkhayan Khristofor Ilich

    Первоцвет, 2020

    Райские яблочки, Vera Aleksandrovna Korshunova, 2018

    Vera Aleksandrovna Korshunova

    Райские яблочки, 2018

    Райские любимцы. Лис с яблоками, Anna Vladimirovna Serova, 2018

    Anna Vladimirovna Serova

    Райские любимцы. Лис с яблоками, 2018