ART WIKI32 963 em exposição
MapaColeçãoArtistasMuseusExposiçõesRevista
Entrar

ART WIKI

Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

Secções

  • Mapa
  • Pesquisa
  • Coleção
  • Obras-primas
  • Em exposição agora
  • Artistas

Mais

  • Museus e galerias
  • Exposições
  • Revista
  • De onde vêm os dados
  • Privacidade e cookies
InícioMapaCatálogo
  1. Coleção/
  2. Museu de Arte Moderna/
  3. Pine Cone and Eucalyptus Leaves
Pine Cone and Eucalyptus Leaves, Ansel Adams, 1932
Ansel Adams, retratoAnsel AdamsEstados Unidos, 1902–1984

Pine Cone and Eucalyptus Leaves

1932 · Photograph

Será possível contemplá-la?

De momento, não recebe

Museu de Arte Moderna

Nova Iorque, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 8 dias
Fonte
O museu
No mapaPágina do museu

Pormenores

1932 · aos 30 anos
19021984
Número de inventário
216.1947

No catálogo

FotografiasProva de gelatina e prataModernismoSéculo XX

Fontes

  • Museu de Arte Moderna
  • Imagem: Museu de Arte Moderna — © the artist or rights holder

Entretanto, na vida de Ansel Adams

A vida inteira
  1. c. 1930

    Taos: Strand, O'Keeffe, Marin, Jeffers

    Bender takes Adams to Taos, where he befriends the poet Robinson Jeffers, the artists John Marin and Georgia O'Keeffe, and the photographer Paul Strand; his first book, “Taos Pueblo,” with text by Mary Hunter Austin, is published in 1930. Strand proves especially influential: he shares the secrets of his technique, convinces Adams to pursue photography fully, and recommends glossy paper to intensify tonal values.

  2. 1931

    First solo museum exhibition at the Smithsonian

    In 1931 the Smithsonian Institution hosts Adams's first solo museum exhibition, “Pictorial Photographs of the Sierra Nevada Mountains by Ansel Adams” — sixty prints taken in the High Sierra and the Canadian Rockies. The Washington Post writes that his photographs are like portraits of giant peaks inhabited by mythical gods.

  3. 1932

    Group f/64: the de Young exhibition and manifesto

    In 1932 Adams, Imogen Cunningham and Edward Weston show together at the M. H. de Young Museum and soon form Group f/64, which stands for “pure” or “straight” photography against pictorialism. Adams writes the group's manifesto for the exhibition: pure photography, it declares, has no qualities of technique, composition or idea derived from any other art form.

  4. 1933

    Opens his own gallery in San Francisco

    Following the example of Alfred Stieglitz, Adams opens his own art and photography gallery in San Francisco in 1933. He begins publishing essays in photography magazines, and in 1935 writes his first instructional book, “Making a Photograph.”

  5. 1934

    First defines “visualization” in print

    In 1934 Adams first defines in print the concept of “visualization” — picturing each image before taking it — which becomes a core principle of his photography. With it he pursues higher quality, relying on small apertures and long exposures in natural light, as in “Rose and Driftwood” (1933).

  6. 1934

    Elected to the Sierra Club's board of directors

    In 1934 Adams is first elected to the Sierra Club's board of directors, on which he will serve for thirty-seven years; his wife also served as a director.

Mais obras de Ansel Adams

Todas as obras
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Rock, Bakers Beach, San Francisco, California

c. 1931 · Museu de Arte Moderna

Bridgeport Valley, Flooded Meadow, Ansel Adams, n.d.

Bridgeport Valley, Flooded Meadow

n.d. · Não exposta · Museu de Arte Moderna

Leaves, near Bishop, California, Ansel Adams, n.d.

Leaves, near Bishop, California

n.d. · Não exposta · Museu de Arte Moderna

From Glacier Point, Yosemite, Ansel Adams, n.d.

From Glacier Point, Yosemite

n.d. · Não exposta · Museu de Arte Moderna

Cliffs in Paradise Valley, Ansel Adams, n.d.

Cliffs in Paradise Valley

n.d. · Não exposta · Museu de Arte Moderna

Sierra Juniper, Ansel Adams, n.d.

Sierra Juniper

n.d. · Não exposta · Museu de Arte Moderna

Door, Abandoned Church, Sierra Foothills, Ansel Adams, n.d.

Door, Abandoned Church, Sierra Foothills

n.d. · Não exposta · Museu de Arte Moderna

Rocks, Sierra Foothills, California, Ansel Adams, n.d.

Rocks, Sierra Foothills, California

n.d. · Não exposta · Museu de Arte Moderna

Vizinhas de sala: Museu de Arte Moderna

Página do museu
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

A Noite Estrelada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950