PERPLEXITIESHOUSEHOLDWANTSINDIANMODEOFBOILINGEGGSOCEARNINGSAVALUABLE<br>(from YUCATAN), Carl Andre, 1973, printed 1982
Carl AndreEstados Unidos, 1935–2024

PERPLEXITIESHOUSEHOLDWANTSINDIANMODEOFBOILINGEGGSOCEARNINGSAVALUABLE<br>(from YUCATAN)

1973, printed 1982 · Print

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Onde está «PERPLEXITIESHOUSEHOLDWANTSINDIANMODEOFBOILINGEGGSOCEARNINGSAVALUABLE<br>(from YUCATAN)» hoje? Coleção: Museu Whitney de Arte Americana, Nova Iorque. Não exposta de momento. Verificado 25 de setembro de 2026.

Museu Whitney de Arte Americana

Nova Iorque, Estados Unidos

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2013.83.2

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Fontes

Na vida de Carl Andre

A vida inteira
  1. 1972

    Tate buys “Equivalent VIII”

    Britain’s Tate Gallery acquires “Equivalent VIII”, an arrangement of 120 firebricks.

  2. 1976

    The “bricks controversy” over “Equivalent VIII”

    After an article in The Sunday Times, the work that the Tate had shown several times without incident becomes the centre of a scandal and is later defaced with blue food dye; the “bricks controversy” becomes one of the most famous British debates about contemporary art.

  3. 24 de junho de 1977 – 2 de outubro de 1977

    Exhibition: Documenta 6

  4. 1979

    Meets Ana Mendieta

    At AIR Gallery in New York the artists Leon Golub and Nancy Spero introduce Andre to the Cuban-born avant-garde artist Ana Mendieta. A romance soon begins: he travels with her through Italy and Germany, introduces her to New York’s art society and helps organize her exhibitions.

  5. 1980

    The book “12 Dialogues”

    NYU Press publishes “12 Dialogues”, in which Andre and Hollis Frampton took turns replying to each other at a typewriter in poetry and free-form essay-like texts.

  6. 19 de junho de 1982 – 28 de setembro de 1982

    Exhibition: documenta 7

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