Penitent Magdelene, Bartolomé Esteban Murillo, c. 1650–65
Bartolomé Esteban Murillo, retratoBartolomé Esteban MurilloEspanha, 1617–1682

Penitent Magdelene

c. 1650–65 · Painting · 123.2 × 108 cm

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Instituto de Artes de Minneapolis

Minneapolis, Estados Unidos

SalaG341

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Tradition holds that Saint Mary Magdalene, a close follower of Jesus Christ, retreated to a cave in penitence during the final years of her life. Here, she clutches her purple robes and looks up at the bright divine light that falls upon her. Two attributes, or identifying symbols, of the saint are displayed on the rock next to her: the skull, a reminder of the inevitability of death, and the cross, a symbol of her personal devotion to Christ and his teachings.

The markings at the bottom of the canvas, the number 629 and the fleur-de-lis symbol, indicate that this painting was item number 629 in the royal inventory of Queen Isabella Farnese of Spain.

Instituto de Artes de Minneapolis

Pormenores

Número de inventário
82.23

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Fontes

Entretanto, na vida de Bartolomé Esteban Murillo

A vida inteira
  1. 1645–1648

    First Major Commission

    In the year of his wedding Murillo received his first major commission — eleven paintings of Franciscan saints for the Convent of San Francisco in Seville; he worked on them from 1645 to 1648.

  2. 1658–1660

    Period in Madrid

    From 1658 to 1660 Murillo lived in Madrid, after which he returned to Seville.

  3. 1660

    Co-founder of the Academy of Fine Arts

    Murillo became one of the founders of the Academy of Fine Arts in Seville and in 1660 shared its direction with Francisco Herrera the Younger.

  4. 1 January 1664

    Death of His Wife

    After his wife's death on 1 January 1664, Murillo's way of life changed, but there began the period of his greatest activity, with many important commissions.

  5. 1665

    Admitted to the Brotherhood of Charity

    In May 1665 Murillo was admitted to the Seville Brotherhood of Charity, for which he executed works.

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