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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Art Institute of Chicago/
  3. Pedestal (leveled)
Pedestal (leveled), Tony Tasset, 1993
TTony TassetEstados Unidos, 1960

Pedestal (leveled)

1993 · Sculpture

Pormenores

1993 · aos 33 anos
1960hoje
Número de inventário
2020.74

Mais obras de Tony Tasset

Todas as obras

Vizinhas de sala: Art Institute of Chicago

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Art Institute of Chicago

Chicago, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

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19 de ago. de 2026
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EsculturaMetalArte contemporâneaSéculo XX

Fontes

  • Art Institute of Chicago
  • Imagem: Art Institute of Chicago — © the artist or rights holder
Domestic Abstraction, Tony Tasset, 1987

Domestic Abstraction

1987 · Não exposta · Art Institute of Chicago

Three Part Sculpture Bench, Tony Tasset, 1988

Three Part Sculpture Bench

1988 · Não exposta · Art Institute of Chicago

Drawing (Shield), Tony Tasset, 1990

Drawing (Shield)

1990 · Não exposta · Art Institute of Chicago

Two by four by eight, two by four by ten, Tony Tasset, 1991

Two by four by eight, two by four by ten

1991 · Não exposta · Art Institute of Chicago

My Parents, Tony Tasset, 1994

My Parents

1994 · Não exposta · Art Institute of Chicago

Judy, Tony Tasset, 1998

Judy

1998 · Não exposta · Art Institute of Chicago

Pumpkin, Tony Tasset, 1998

Pumpkin

1998 · Não exposta · Art Institute of Chicago

My Empire, Tony Tasset, 2011

My Empire

2011 · Não exposta · Art Institute of Chicago

The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Louis Auchincloss at Dostoevsky writing desk, Dostoevsky House Museum, Leningrad November 30, 1985, Allen Ginsberg, 1985

Allen Ginsberg

Louis Auchincloss at Dostoevsky writing desk, Dostoevsky House Museum, Leningrad November 30, 1985, 1985

Não exposta · Galeria Nacional de Arte

Foyer & arcade at Entrance to Josef Stalin Birthplace Museum, Gori, Georgia Soviet Union-- truck drivers on the road to nearby Vani & Tbilisi still had Stalin-face stickers on their windshields. Outside Lendava marble shelter at the wooden birth-house itself, small rooms low ceilings I remember. Not many people in the museum, first weeks of Glasnost, December 7, 1985., Allen Ginsberg, 1985

Allen Ginsberg

Foyer & arcade at Entrance to Josef Stalin Birthplace Museum, Gori, Georgia Soviet Union-- truck drivers on the road to nearby Vani & Tbilisi still had Stalin-face stickers on their windshields. Outside Lendava marble shelter at the wooden birth-house itself, small rooms low ceilings I remember. Not many people in the museum, first weeks of Glasnost, December 7, 1985., 1985

Não exposta · Galeria Nacional de Arte

Museum of the Great Patriotic War, Minsk, Belarusia, Soviet Union, a visit by U.S. Literary delegation, planned sightseeing, our yuppie-Russian interpreter left, novelist Wm. Gass second from Right, the rest of our writers & delegates had wandered away down marble halls., Allen Ginsberg, 1985

Allen Ginsberg

Museum of the Great Patriotic War, Minsk, Belarusia, Soviet Union, a visit by U.S. Literary delegation, planned sightseeing, our yuppie-Russian interpreter left, novelist Wm. Gass second from Right, the rest of our writers & delegates had wandered away down marble halls., 1985

Não exposta · Galeria Nacional de Arte

We went uptown to look at Mayan Codices at Museum of Natural History & Metropolitan Museum of Art to view Carlo Crivelli’s green-hued Christ-face with crown of thorns stuck symmetric in his skull — here Egyptian wing William Burroughs with a brother Sphinx, Fall 1953 Manhattan., Allen Ginsberg, 1953, printed later

Allen Ginsberg

We went uptown to look at Mayan Codices at Museum of Natural History & Metropolitan Museum of Art to view Carlo Crivelli’s green-hued Christ-face with crown of thorns stuck symmetric in his skull — here Egyptian wing William Burroughs with a brother Sphinx, Fall 1953 Manhattan., 1953, printed later

Não exposta · Galeria Nacional de Arte

Kunstmuseum Basel Architectural Plan, Mark Rothko

Mark Rothko

Kunstmuseum Basel Architectural Plan

Não exposta · Galeria Nacional de Arte

Study for "Mary Cassatt at the Louvre" [verso], Edgar Degas, c. 1879

Edgar Degas

Study for "Mary Cassatt at the Louvre" [verso], c. 1879

Não exposta · Galeria Nacional de Arte

Mary Cassatt at the Louvre: The Paintings Gallery, Edgar Degas, 1879/1880

Edgar Degas

Mary Cassatt at the Louvre: The Paintings Gallery, 1879/1880

Não exposta · Galeria Nacional de Arte

Mary Cassatt at the Louvre: The Etruscan Gallery, Edgar Degas, 1879/1880

Edgar Degas

Mary Cassatt at the Louvre: The Etruscan Gallery, 1879/1880

Não exposta · Galeria Nacional de Arte