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  1. Coleção/
  2. Museu Russo/
  3. Пасека
Пасека, Isaac Levitan, 1887
Isaac Levitan, retratoIsaac Levitan1860–1900

Пасека

1887 · Drawing · 22.5 × 34.3 cm

Será possível contemplá-la?

Desconhecido

Museu Russo

São Petersburgo, Rússia

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
28 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Sobre a obra

Nas palavras do museu — em russo

К этому мотиву Левитан обращался неоднократно. 1877 годом датирован пейзаж «Летний день. Пчельник». В ГТГ хранится картина 1880-х годов «Ульи» с дарственной надписью художника 1887 года. И каждая из этих композиций решена в особом цветовом и композиционном ключе. « Пасека » из собрания ГРМ по плотности красочного слоя тяготеет скорее к живописным работам художника. Композиция в приглушенной серо-зеленой гамме с единственным ярким пятном — оранжевым диском восходящей луны — удивительна по изысканности колористического решения и тонкости настроения. В передаче переходного «сумеречного» состояния природы она сродни таким поздним картинам Левитана, как «Стога. Сумерки» и «Сумерки».

Museu Russo

Pormenores

1887 · aos 27 anos
18601900
Número de inventário
Р-56717

Entretanto, na vida de Isaac Levitan

A vida inteira
  1. mid-1880s

    His heart disease sharply worsens

    Levitan's material situation improves in the mid-1880s, but a hungry childhood, an unsettled life and hard work tell on his health: his heart disease sharply worsens.

  2. spring 1885

    He graduates without the title of artist

    In spring 1885, at twenty-four, he graduates from the school but does not receive the title of artist: he is given a diploma as a teacher of penmanship. He has no money.

  3. April 1885

    He settles at Maximovka and meets Chekhov

    In April 1885 he settles in the remote village of Maximovka near Babkino, where the Chekhovs are staying at the Kiselyov estate; his acquaintance with Anton Pavlovich Chekhov begins a friendship and rivalry that will last all his life.

  4. 1886

    The Crimea and an exhibition of fifty landscapes

    A trip to the Crimea in 1886 restores his strength; on his return Levitan organises an exhibition of fifty of his landscapes.

  5. spring 1888

    He discovers Plyos on the Volga

    In spring 1888 he sails by steamer along the Oka to Nizhny Novgorod and on up the Volga with the artist Alexei Stepanov and Sofia Kuvshinnikova; to their own surprise they discover the small, quiet town of Plyos and decide to stay on for a while. The three summer seasons there (1888–1890) prove extremely productive: some two hundred works bring Levitan wide fame.

Mais obras de Isaac Levitan

Todas as obras

Vizinhas de sala: Museu Russo

Página do museu

Sobre o mesmo tema · Country Landscape

Todas as obras sobre o tema
  • late 1889 – early 1890

    His first trip to Western Europe

    He visits France and Italy, wanting to get to know modern painting better as shown at the World Exhibition in Paris — probably above all the Barbizon school and the Impressionists. According to Nesterov, in the West he became convinced that the path he had chosen was the right one.

  • O que mostra

    Country LandscapeSummerMoonlight night

    No catálogo

    Desenhos e aguarelasAguarelaImpressionismoSéculo XIXPintura de paisagem

    Fontes

    • Museu Russo
    • Imagem: Museu Russo — © State Russian Museum
    Sokolniki. Autumn, Isaac Levitan, 1879

    Sokolniki. Autumn

    1879 · Galeria Tretiakov

    Fresh Wind. Volga, Isaac Levitan, 1885

    Fresh Wind. Volga

    1885 · Galeria Tretiakov

    После дождя. Плёс, Isaac Levitan, 1889

    После дождя. Плёс

    1889 · Galeria Tretiakov

    Birch grove, Isaac Levitan, 1889

    Birch grove

    1889 · Galeria Tretiakov

    Evening. Golden Plyos, Isaac Levitan, 1889

    Evening. Golden Plyos

    1889 · Galeria Tretiakov

    Золотая осень. Слободка, Isaac Levitan, 1889

    Золотая осень. Слободка

    1889 · Museu Russo

    Evening Bells, Isaac Levitan, 1892

    Evening Bells

    1892 · Galeria Tretiakov

    The Vladimirka, Isaac Levitan, 1892

    The Vladimirka

    1892 · Galeria Tretiakov

    Два овала, Vasily Kandinsky, 1919

    Vasily Kandinsky

    Два овала, 1919

    Синий гребень, Vasily Kandinsky, 1917

    Vasily Kandinsky

    Синий гребень, 1917

    Импровизация 11, Vasily Kandinsky, 1910

    Vasily Kandinsky

    Импровизация 11, 1910

    Cossacos escrevem carta ao Sultão turco, Ilya Repin, 1880–1891

    Ilya Repin

    Cossacos escrevem carta ao Sultão turco, 1880–1891

    Автопортрет (Художник), Kazimir Malevich, 1933

    Kazimir Malevich

    Автопортрет (Художник), 1933

    Red Cavalry Riding, Kazimir Malevich, c. 1932

    Kazimir Malevich

    Red Cavalry Riding, c. 1932

    На жатву (Марфа и Ванька), Kazimir Malevich, 1928-1929

    Kazimir Malevich

    На жатву (Марфа и Ванька), 1928-1929

    Черный квадрат, Kazimir Malevich, c. 1923

    Kazimir Malevich

    Черный квадрат, c. 1923

    На дерновой скамье, Ilya Repin, 1876

    Ilya Repin

    На дерновой скамье, 1876

    Museu Russo

    Вид в Крыму при закате солнца, Ivan Aivazovsky, 1862

    Ivan Aivazovsky

    Вид в Крыму при закате солнца, 1862

    Museu Russo

    Ночное, Arkhip Kuindzhi, 1905-1908

    Arkhip Kuindzhi

    Ночное, 1905-1908

    Museu Russo

    Осень. Туман, Arkhip Kuindzhi, 1890s

    Arkhip Kuindzhi

    Осень. Туман, 1890s

    Museu Russo

    Радуга, Arkhip Kuindzhi, 1900–1905

    Arkhip Kuindzhi

    Радуга, 1900–1905

    Museu Russo

    Озеро, Isaac Levitan, 1899–1900

    Isaac Levitan

    Озеро, 1899–1900

    Museu Russo

    Золотая осень. Слободка, Isaac Levitan, 1889

    Isaac Levitan

    Золотая осень. Слободка, 1889

    Museu Russo

    Бревна. Деревня Константиновка близ Красного села, Ivan Shishkin, 1868 (9?)

    Ivan Shishkin

    Бревна. Деревня Константиновка близ Красного села, 1868 (9?)

    Museu Russo