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  2. Museu Smithsoniano de Arte Americana/
  3. Pa-ris-ka-roó-pa, Two Crows, a Chief
Pa-ris-ka-roó-pa, Two Crows, a Chief, George Catlin, 1832
George Catlin, retratoGeorge CatlinEstados Unidos, 1796–1872

Pa-ris-ka-roó-pa, Two Crows, a Chief

1832 · Painting · 73.7 × 60.9 cm

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Desconhecido

Museu Smithsoniano de Arte Americana

Washington, D.C., Estados Unidos

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Sobre a pintura

The subject was dressed, according to George Catlin, in a “handsome shirt, ornamented with ermine, and necklace of grisly bears’ claws.” The artist painted this work at a Hidatsa village in 1832. (Catlin, 1848 Catalogue, Catlin’s Indian Gallery, SAAM online exhibition)

Museu Smithsoniano de Arte Americana

Pormenores

1832 · aos 36 anos
17961872
Número de inventário
1985.66.173

O que mostra

Clothing and dressHomemRetrato

No catálogo

PinturasÓleoPintura norte-americanaRomantismoSéculo XIX

Fontes

  • Museu Smithsoniano de Arte Americana
  • Imagem: Museu Smithsoniano de Arte Americana — CC0

Entretanto, na vida de George Catlin

A vida inteira
  1. 1830

    First journey west with Governor Clark

    He accompanies William Clark, governor of the Missouri Territory, on a diplomatic mission to Fort Crawford and then up the Mississippi into Native territory.

  2. 1830–1836

    Five journeys into the American West

    St. Louis was his base for the five trips and the steamer Yellowstone of the American Fur Company his first transport; he visited 48 tribes in all (other accounts say about fifty). On trips along the Arkansas, Red and Mississippi rivers, in Florida and around the Great Lakes he painted more than 500 pictures and gathered a substantial collection of artifacts.

  3. 1832

    Up the Missouri to Fort Union

    He ascends the Missouri more than 3,000 km to the Fort Union trading post (today on the North Dakota–Montana border) and spends several weeks among peoples little touched by European culture. Visiting eighteen tribes, among them the Pawnee, Omaha, Ponca, Mandan, Hidatsa, Cheyenne, Crow, Assiniboine and Blackfeet, he paints the most vivid portraits of his career.

  4. March 1833

    Prince Maximilian’s expedition sees his work

    At Major O’Fallon’s country estate near St. Louis, members of Prince Maximilian of Wied-Neuwied’s scientific and ethnographic expedition look over the works from Catlin’s first Missouri expedition, among them the Swiss artist Karl Bodmer, who later painted many Native American portraits and scenes of his own.

  5. spring 1834

    Fort Gibson: portraits of Cherokee, Choctaw, Osage

    Leaving New Orleans for Fort Gibson in Indian Territory, he paints portraits of Cherokee, Choctaw, Muscogee, Osage and other Native Americans.

  6. 19 June 1834

    With the dragoons onto the Southern Plains

    He sets out onto the Southern Plains with a dragoon detachment led by Henry Leavenworth and Henry Dodge, and visits Comanche and Wichita lands.

Mais obras de George Catlin

Todas as obras
Distant View of the Mandan Village, George Catlin, 1832

Distant View of the Mandan Village

1832 · Museu Smithsoniano de Arte Americana

Mouth of the Platte River, 900 Miles above St. Louis, George Catlin, 1832

Mouth of the Platte River, 900 Miles above St. Louis

1832 · Museu Smithsoniano de Arte Americana

Seet-sé-be-a, Midday Sun, a Pretty Girl, George Catlin, 1832

Seet-sé-be-a, Midday Sun, a Pretty Girl

1832 · Museu Smithsoniano de Arte Americana

Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior, George Catlin, 1832

Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior

1832 · Museu Smithsoniano de Arte Americana

Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee, George Catlin, 1832

Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee

1832 · Museu Smithsoniano de Arte Americana

River Bluffs, 1320 Miles above St. Louis, George Catlin, 1832

River Bluffs, 1320 Miles above St. Louis

1832 · Museu Smithsoniano de Arte Americana

Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief, George Catlin, 1832

Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief

1832 · Museu Smithsoniano de Arte Americana

I-o-wáy, One of Black Hawk's Principal Warriors, George Catlin, 1832

I-o-wáy, One of Black Hawk's Principal Warriors

1832 · Museu Smithsoniano de Arte Americana

Vizinhas de sala: Museu Smithsoniano de Arte Americana

Página do museu
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940

Unidentified

Fish Decoy, ca. 1940

(Lobster on Black Background), Marsden Hartley, 1940-1941

Marsden Hartley

(Lobster on Black Background), 1940-1941

May Snow, Torvald Arnst Hoyer, 1937

Torvalt Arnt Hoyer

May Snow, 1937

San Diego Mission, Josephine Joy, ca. 1935-1939

Josephine Joy

San Diego Mission, ca. 1935-1939

Industry, Arthur Durston, 1934

Arthur Durston

Industry, 1934

Employment of Negroes in Agriculture, Earle Richardson, 1934

Earle Richardson

Employment of Negroes in Agriculture, 1934