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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Galeria Nacional de Arte/
  3. Orejona Indians
Orejona Indians, George Catlin, 1854/1869

Orejona Indians

1854/1869 · Painting

Pormenores

1854/1869
17961872
Número de inventário
1965.16.242

Entretanto, na vida de George Catlin

A vida inteira
  1. 1852

    Bankruptcy and sale of the Indian Gallery

    Bankrupt through debt, he is forced to sell a large part of the collection of 607 paintings (other accounts say all of it); the Philadelphia industrialist Joseph Harrison takes the paintings and artifacts as security and stores them in a factory in Philadelphia.

  2. 1852–1857

    Travels in South and Central America

    He travels through South and Central America and then again through the Wild West, reaching Alaska (other accounts say only the American West Coast).

  3. 1852–1872

    Re-creating the lost collection

    Over the last 15–20 years of his life, despite poor health and near-total deafness, he re-creates the collection, painting more than 400 pictures; based on the outlines of his 1830s works, this second set is known as the “Cartoon Collection”.

  4. 1862

    The Breath of Life and a theory against mouth breathing

    Drawing on his observations of Native Americans, who preferred breathing through the nose (mothers closed their babies’ mouths in sleep), he sets out in this book a theory of the harm of mouth breathing; it met with skepticism in scientific and medical circles. The book was later retitled Shut Your Mouth and Save Your Life.

  5. 1868

    “Last Rambles” among the Rocky Mountains and the Andes

    In London he publishes the account of his later journeys among the Indians of the Rocky Mountains and the Andes, the record of his travels of the 1850s.

Mais obras de George Catlin

Todas as obras

Vizinhas de sala: Galeria Nacional de Arte

Página do museu

Sobre o mesmo tema · Chief (unnamed)

Todas as obras sobre o tema
  • 1870

    Returns to the United States

    He returns to the United States after more than three decades away (other accounts say 1871); his work still finds no buyers.

  • George Catlin, retratoGeorge CatlinEstados Unidos, 1796–1872

    Será possível contemplá-la?

    De momento, não recebe

    Galeria Nacional de Arte

    Washington, D.C., Estados Unidos

    Pertence à coleção, mas de momento não está exposta.

    Verificado
    há 3 dias
    Neste estado desde
    19 de ago. de 2026
    Fonte
    O museu
    No mapaPágina do museu

    O que mostra

    Chief (unnamed)Wife of chief (unnamed)South American IndianOrejona

    No catálogo

    PinturasÓleoPintura norte-americanaRealismoSéculo XIXAmerican

    Fontes

    • Galeria Nacional de Arte
    • Imagem: Galeria Nacional de Arte — Museum open access
    Distant View of the Mandan Village, George Catlin, 1832

    Distant View of the Mandan Village

    1832 · Museu Smithsoniano de Arte Americana

    Mouth of the Platte River, 900 Miles above St. Louis, George Catlin, 1832

    Mouth of the Platte River, 900 Miles above St. Louis

    1832 · Museu Smithsoniano de Arte Americana

    Seet-sé-be-a, Midday Sun, a Pretty Girl, George Catlin, 1832

    Seet-sé-be-a, Midday Sun, a Pretty Girl

    1832 · Museu Smithsoniano de Arte Americana

    Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior, George Catlin, 1832

    Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior

    1832 · Museu Smithsoniano de Arte Americana

    Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee, George Catlin, 1832

    Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee

    1832 · Museu Smithsoniano de Arte Americana

    River Bluffs, 1320 Miles above St. Louis, George Catlin, 1832

    River Bluffs, 1320 Miles above St. Louis

    1832 · Museu Smithsoniano de Arte Americana

    Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief, George Catlin, 1832

    Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief

    1832 · Museu Smithsoniano de Arte Americana

    I-o-wáy, One of Black Hawk's Principal Warriors, George Catlin, 1832

    I-o-wáy, One of Black Hawk's Principal Warriors

    1832 · Museu Smithsoniano de Arte Americana

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Retrato de Ginevra de' Benci, c. 1474/1478

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

    Green Wheat Fields, Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Green Wheat Fields, Auvers, 1890

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Girl in White, 1890

    Roses, Vincent van Gogh, 1890

    Vincent van Gogh

    Roses, 1890

    Self-Portrait, Vincent van Gogh, 1889

    Vincent van Gogh

    Self-Portrait, 1889

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    Farmhouse in Provence, 1888

    La Mousmé, Vincent van Gogh, 1888

    Vincent van Gogh

    La Mousmé, 1888

    Members of the Payaguas Tribe, George Catlin, 1854/1869

    George Catlin

    Members of the Payaguas Tribe, 1854/1869

    Não exposta · Galeria Nacional de Arte

    A Crow Chief at His Toilette, George Catlin, 1861/1869

    George Catlin

    A Crow Chief at His Toilette, 1861/1869

    Não exposta · Galeria Nacional de Arte

    Four Mura Indians, George Catlin, 1854/1869

    George Catlin

    Four Mura Indians, 1854/1869

    Não exposta · Galeria Nacional de Arte

    Lengua Chief, His Two Wives, and Four Children, George Catlin, 1854/1869

    George Catlin

    Lengua Chief, His Two Wives, and Four Children, 1854/1869

    Não exposta · Galeria Nacional de Arte

    Four Sepibo Indians, George Catlin, 1854/1869

    George Catlin

    Four Sepibo Indians, 1854/1869

    Não exposta · Galeria Nacional de Arte

    A Flathead Chief with His Family, George Catlin, 1855/1869

    George Catlin

    A Flathead Chief with His Family, 1855/1869

    Não exposta · Galeria Nacional de Arte

    Marahua Indians, George Catlin, 1854/1869

    George Catlin

    Marahua Indians, 1854/1869

    Não exposta · Galeria Nacional de Arte

    Members of the Botocudo Tribe, George Catlin, 1854/1869

    George Catlin

    Members of the Botocudo Tribe, 1854/1869

    Não exposta · Galeria Nacional de Arte