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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Museu de Arte Moderna/
  3. Onement III
Onement III, Barnett Newman, 1949
Barnett Newman, retratoBarnett NewmanEstados Unidos, 1905–1970

Onement III

1949 · Painting

Será possível contemplá-la?

De momento, não recebe

Museu de Arte Moderna

Nova Iorque, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 9 dias
Fonte
O museu
No mapaPágina do museu

Pormenores

1949 · aos 44 anos
19051970
Número de inventário
527.1971

No catálogo

PinturasÓleoPintura norte-americanaArte do pós-guerraSéculo XX

Fontes

  • Museu de Arte Moderna
  • Imagem: Museu de Arte Moderna — © the artist or rights holder

Entretanto, na vida de Barnett Newman

A vida inteira
  1. 1947

    A mature style and a declaration on art’s content

    Reaches his mature style — in 1946–1947 he paints “The Command” and “The Euclidean Abyss” — and declares that any art worthy of the name must address “life”, “man”, “nature”, “death” and “tragedy”.

  2. 1947

    Death of his father

    His father, Abraham, dies; two years later his name will be given to one of Newman’s darkest paintings.

  3. 1948

    The Subjects of the Artist school

    With William Baziotes, Mark Rothko, Robert Motherwell and David Hare he founds the Subjects of the Artist School at 35 East 8th Street; its well-attended public lectures feature speakers such as Jean Arp, John Cage and Ad Reinhardt.

  4. spring 1949

    The Subjects of the Artist school closes

    The Subjects of the Artist School fails financially and closes in the spring of 1949.

  5. 1950

    First solo exhibition and crushing reviews

    Stages his first solo exhibition, at the Betty Parsons Gallery, and it is met with devastating criticism. Other accounts date the debut to 1948; soon after his first exhibition, at the Artists’ Session at Studio 35, Newman remarks that artists are, to a certain extent, making the world in their own image.

  6. 1950–1958

    An eight-year pause

    After the harsh reception he takes an eight-year pause, devoting it to developing his mastery; the result is the retrospective of 1958.

Mais obras de Barnett Newman

Todas as obras
Onement I, Barnett Newman, 1948

Onement I

1948 · Museu de Arte Moderna

Yellow Painting, Barnett Newman, 1949

Yellow Painting

1949 · Galeria Nacional de Arte

The Name II, Barnett Newman, 1950

The Name II

1950 · Galeria Nacional de Arte

Vir Heroicus Sublimis, Barnett Newman, 1950-51

Vir Heroicus Sublimis

1950-51 · Museu de Arte Moderna

First Station, Barnett Newman, 1958

First Station

1958 · Galeria Nacional de Arte

Third Station, Barnett Newman, 1960

Third Station

1960 · Galeria Nacional de Arte

Fourth Station, Barnett Newman, 1960

Fourth Station

1960 · Galeria Nacional de Arte

Be II, Barnett Newman, 1961/1964

Be II

1961/1964 · Galeria Nacional de Arte

Vizinhas de sala: Museu de Arte Moderna

Página do museu
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

A Noite Estrelada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950