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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Museu de Arte Moderna/
  3. Onan
Onan, Salvador Dalí, 1934
Salvador Dalí, retratoSalvador DalíEspanha, 1904–1989

Onan

1934 · Illustrated Book

Será possível contemplá-la?

De momento, não recebe

Museu de Arte Moderna

Nova Iorque, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 16 dias
Fonte
O museu
No mapaPágina do museu

Pormenores

1934 · aos 30 anos
19041989
Número de inventário
373.1971

No catálogo

GravurasImpressão fotomecânicaModernismoSéculo XX

Fontes

  • Museu de Arte Moderna
  • Imagem: Museu de Arte Moderna — © the artist or rights holder

Entretanto, na vida de Salvador Dalí

A vida inteira
  1. November – December 1933

    First New York show: “frozen nightmares”

    Dalí's first New York exhibition, twenty-six works at Julien Levy's gallery, was a commercial and critical success. The New Yorker's critic praised their precision and lack of sentimentality, calling them “frozen nightmares”.

  2. 30 January 1934

    Civil marriage to Gala

    Dalí and Gala, together since 1929, were married in a civil ceremony in Paris. Besides being his muse, Gala acted as his business manager, funding their extravagant lifestyle while adeptly steering clear of insolvency.

  3. 1934

    First visit to the US: “I am not mad”

    Dalí's first visit to the United States drew wide press coverage, and his second show at Julien Levy's was again a success. In lectures on Surrealism at MoMA he first told audiences: “The only difference between me and a madman is that I am not mad.”

  4. 1936

    A lecture in a diving suit in London

    At the International Surrealist Exhibition in London Dalí lectured in a deep-sea diving suit and helmet, which had to be unscrewed when he gasped for breath. “I just wanted to show that I was plunging deeply into the human mind,” he said.

  5. 1936

    The Spanish Civil War and Lorca's death

    The Civil War found Dalí in London. On learning that his friend Lorca had been executed by Nationalist forces, he claimed to have shouted “Olé!”, yet he referred to the poet in his art and writings for the rest of his life; he never took a public stand for or against the Republic.

  6. 1936

    MoMA show and the cover of Time

    Dalí took part in MoMA's “Fantastic Art, Dada, Surrealism” and held a solo show at Julien Levy's; “Soft Construction with Boiled Beans (Premonition of Civil War)” drew particular attention. On 14 December the 32-year-old Dalí was on the cover of Time magazine.

Mais obras de Salvador Dalí

Todas as obras
The Persistence of Memory, Salvador Dalí, 1931

A Persistência da Memória

1931 · Museu de Arte Moderna

Retrospective Bust of a Woman, Salvador Dalí, 1933 (some elements reconstructed 1970)

Retrospective Bust of a Woman

1933 (some elements reconstructed 1970) · Museu de Arte Moderna

The Little Theater, Salvador Dalí, 1934

The Little Theater

1934 · Museu de Arte Moderna

The Sacrament of the Last Supper, Salvador Dalí, 1955

A Última Ceia

1955 · Galeria Nacional de Arte

The Dream, Salvador Dalí, 1931

The Dream

1931 · Museu de Arte de Cleveland

The Anthropomorphic Tower, Salvador Dalí, 1930

The Anthropomorphic Tower

1930 · Art Institute of Chicago

Imaginary Portrait of Lautréamont at the Age of Nineteen Obtained According to the Paranoiac-Critical Method, Salvador Dalí, 1937

Imaginary Portrait of Lautréamont at the Age of Nineteen Obtained According to the Paranoiac-Critical Method

1937 · Art Institute of Chicago

Formation of the Monsters, Salvador Dalí, 1937

Formation of the Monsters

1937 · Art Institute of Chicago

Vizinhas de sala: Museu de Arte Moderna

Página do museu
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

A Noite Estrelada, 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950