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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu Estatal de Amesterdão/
  3. Oever met bomen
Oever met bomen, Vincent van Gogh, 1887

Oever met bomen

1887 · Painting

Sobre a pintura

In 1886, Van Gogh moved to Paris to familiarise himself in the painting style of the French Impressionists. This painting reflects his experimentation with their bright vibrant colours, short brushstrokes, and modern compositions. The scene is a close-up of a bank of the Seine River near Asnières, a town northeast of Paris. Van Gogh enjoyed painting there during the summer of 1887.

Museu Estatal de Amesterdão

Pormenores

1887 · aos 34 anos
18531890
Número de inventário
SK-C-1844

Entretanto, na vida de Vincent van Gogh

A vida inteira
  1. February 1886

    Moves to Paris to join his brother Theo

    Van Gogh left Antwerp to join his brother Theo, an art dealer, in Paris. So began a very fruitful and eventful Paris period: he painted some two hundred and thirty pictures there, more than anywhere else.

  2. November 1887

    Friendship with Paul Gauguin

    Theo and Vincent befriended Paul Gauguin, who had just arrived in Paris.

  3. February 1888

    To Arles, dreaming of a “Studio of the South”

    The public still neither accepted nor bought his paintings, and in February 1888 Van Gogh left for Arles in the south of France to found a “Studio of the South”, a brotherhood of like-minded artists in which he gave Gauguin the leading role. Theo backed the plan with money.

  4. 23 October 1888

    Gauguin arrives in Arles

    After much pleading Gauguin arrived in Arles, and in November the two painted together: Gauguin portrayed Van Gogh in “The Painter of Sunflowers”, and their first joint outing was to the Alyscamps. At Gauguin's suggestion Vincent painted from memory, producing “Memory of the Garden at Etten”.

  5. 23 December 1888

    The severed ear

    After an altercation on the evening of 23 December, Van Gogh, seemingly hearing voices, severed his left ear, wholly or in part, with a razor and delivered it, wrapped in paper, to a woman at a brothel. Next morning a policeman found him unconscious; in hospital he was diagnosed with “acute mania with generalised delirium”.

Mais obras de Vincent van Gogh

Todas as obras

Na mesma sala · Room 1.18, Museu Estatal de Amesterdão

Página do museu
  • May 1889

    Voluntarily into the Saint-Paul asylum

    Van Gogh left Arles and voluntarily entered the Saint-Paul-de-Mausole asylum, a former monastery in Saint-Rémy-de-Provence, accompanied by the Protestant clergyman Frédéric Salles. Of his two cells with barred windows one became a studio, and the clinic and its garden became the main subjects of his paintings.

  • Vincent van Gogh, retratoVincent van GoghPaíses Baixos, 1853–1890

    Será possível contemplá-la?

    Sim, recebe visitas

    Museu Estatal de Amesterdão

    Amesterdão, Países Baixos

    Sala1.18

    Exposta ao público. Quem o garante vem indicado abaixo.

    Verificado
    há 3 dias
    Neste estado desde
    29 de set. de 2026
    Fonte
    O museu
    No mapaPágina do museu

    No catálogo

    PinturasÓleoPintura neerlandesaImpressionismoSéculo XIX

    Idas e vindas

    1. Em exposição · Sala 1.18

      Museu Estatal de Amesterdão · 29 de set. de 2026 — agora · Verificado

    2. Se está exposta hoje, não se sabe

      Museu Estatal de Amesterdão · Não confirmado

    Fontes

    • Museu Estatal de Amesterdão
    • Imagem: Museu Estatal de Amesterdão — public domain
    Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

    Self-Portrait with a Straw Hat (obverse: The Potato Peeler)

    1887 · Museu Metropolitano de Arte

    Self-portrait, Vincent van Gogh, 1887

    Self-portrait

    1887 · Museu Estatal de Amesterdão

    Madame Roulin and Her Baby, Vincent van Gogh, 1888

    Madame Roulin and Her Baby

    1888 · Museu Metropolitano de Arte

    Wheat Field with Cypresses, Vincent van Gogh, 1889

    Wheat Field with Cypresses

    1889 · Museu Metropolitano de Arte

    Olive Trees, Vincent van Gogh, 1889

    Olive Trees

    1889 · Instituto de Artes de Minneapolis

    Irises, Vincent van Gogh, 1890

    Irises

    1890 · Museu Metropolitano de Arte

    Het Singel bij de Lutherse Kerk te Amsterdam, Vincent van Gogh, 1885

    Het Singel bij de Lutherse Kerk te Amsterdam

    1885 · Museu Estatal de Amesterdão

    The Potato Peeler (reverse: Self-Portrait with a Straw Hat), Vincent van Gogh, 1885

    The Potato Peeler (reverse: Self-Portrait with a Straw Hat)

    1885 · Museu Metropolitano de Arte

    Self-portrait, Vincent van Gogh, 1887

    Vincent van Gogh

    Self-portrait, 1887

    La Corniche near Monaco, Claude Monet, 1884

    Claude Monet

    La Corniche bij Monaco, 1884

    Korenveld, Vincent van Gogh, 1888

    Vincent van Gogh

    Korenveld, 1888

    Het Singel bij de Lutherse Kerk te Amsterdam, Vincent van Gogh, 1885

    Vincent van Gogh

    Het Singel bij de Lutherse Kerk te Amsterdam, 1885

    Landscape with Rocky Cliffs and a Waterfall, Gustave Courbet, 1872

    Gustave Courbet

    Landscape with Rocky Cliffs and a Waterfall, 1872

    Morgenrit langs het strand, Anton Mauve, 1876

    Anton Mauve

    Morgenrit langs het strand, 1876

    De zee, Jan Toorop, 1887

    Jan Toorop

    De zee, 1887

    De Singelbrug bij de Paleisstraat in Amsterdam, George Hendrik Breitner, 1896

    George Hendrik Breitner

    De Singelbrug bij de Paleisstraat in Amsterdam, 1896